Hello fellow potatoes! And to the potato queen herself, girl, you're amazing!!! I just found your channel a few months ago, but I'm a huge fan. I don't have a lot of time for videos, but when I do get to watch, I watch yours.
Have I got a boomemil story for you! Let's go on an adventure...warning...I tell stories with rabbit holes and tangents. This is probably gonna be too long. I'm sorry!!!
So, the characters are me (40f), boomer MIL (64f BM for short, like bowel movement bc she's caca), my oldest son, (17m), and my church "mom" (65f CM for short).
A little background: BM thinks she's an awesome mom and grandma even though she's not. She uses my kids as facebook props to show off how "wonderful" she is. The only reason she was around my kids so often was because we went to the same church. She lived 10 minutes down the road from us, but could never be bothered to come over or have anything to do with any of us is if we didn't initiate. She has always said that if we ever try to threaten to keep our kids away from her, like if we were having a disagreement, that she would not fight to see them. We've never threatened to keep our kids from her, she just wanted us to know that she didn't give a sh!t to see her gandkids. So, that tells you right there, that she's a grandma when it's convenient for her.
She's of the boomer mentality that mental health issues are made up and aren't real. "You have nothing to be depressed about." "Just snap out if it." "Just be happy." You get the point. I struggle with depression, I always have. She doesn't understand or even try to understand and is the least empathetic person I've ever met.
When I get overwhelmed, I get depressed, and I start shutting down. My plate is overflowing right now. Between the end of the school year and the possibility of us moving states, I've been overwhelmed. My oldest is a senior and the last month of senior year is crazy busy. I have another child (11m) in public school and this is his last year of elementary school, so this has been an extremely busy month for him. I have 3 more kids that do online public school/homeschool. So, they're home all day with online classes, but since they're a public school, they have mandatory state testing just like regular public school. I have had to take them to do state testing on 4 different days overyhe last few weeks and the meeting place was 45 minutes from home, at a conference room in a mall. I also babysit 3 kids (1m, 4m, 4f), so hanging out for 4 to 5 hours a day on 4 different days with a shitload of kids at the f#cking mall was not easy. Not to mention the positions and "jobs" that I hold at church. To say I'm busy is an understatement.
We've been planning on moving for the last few months because a position at my husband's work is coming open near where he grew up, which is in another state. His parents recently moved back to their hometown after my FIL retired, so one reason for the move would be to be closer to them. They are getting older, so I would be taking care of them once they needed it, so moving closer seemed like a great option. Also, it's a lower COL area than we live in now. Currently we live in the metro area of a capital city and we would be moving to a middle of nowhere po'dunk town.
Told you, rabbit holes, thanks for still being with me!!!
And this is just the straw that broke the camel's back, this is not the only reason for my decision.
So, to the actual story...
Last week, I got a mother's day card in the mail from BM. She's a dollar tree card fanatic. It was a very typical card that she sends me. Nothing handwritten except for "love, grandma and grandpa." This is what she writes in all my cards. (Another tangent...last year my mom passed a month before mother's day and that actual mother's day was her and my dad's anniversary. And I had a super complicated relationship with my momster. So, it was an exceptionally hard day for me. The card she got me said "Daughter" in huge letters on the front. I thought it was so incredibly passive aggressive and completely inappropriate for that year. If it would've been any other year, it would've been fine. Also, she never gets me cards that just say "daughter" so, to me, it was a low blow.) (Yet another tangent...she does passive aggressive crap all the time, for instance when she used to do fb birthday posts, she would always ask me to send her a pic to post. I'm picky about what pics are used and she knows that. Last year, I sent her a great pic of me and her son to use. So, she used one from about 12 years ago that looked like absolute poop. It was a surprise pic, so like not even posed, stupid look on my face. No matter what pic I send, and usually send like 3, she uses a completely different one that doesn't even look good.) I got the card last Tuesday. Hubby happened to be talking to her while driving home from work that day, so when he got home, I thanked her for the card and just wanted to give her a heads up that I hadn't gotten a chance to mail hers yet because of everything I had going on. I kinda broke down and was sharing how I felt and she basically just said, "suck it up, it'll be fine." She's always been dismissive of my feelings, always.
So, my CM is the sweetest lady you'll ever meet. She listens to me, lets me share my feelings without being dismissive, and actually shows she cares. I see her twice weekly at church, and text with her during the week. Since BM has moved 8 moths ago, she has called or texted "just to talk or check in on us" less than a handful of times. She only calls/texts when she needs something or on a special occasion. She called my husband to ask about something, not just to talk. I understand now why the oldest grandson, my nephew, didn't even bother to invite her to his and his girlfriend's baby shower where he proposed. She thinks she's an amazing grandma bc she sends birthday money in a card and posts their pics on Facebook. And, she even stopped posting the kids birthday messages on fb bc she said it was "too much trouble." So, she just sticks to her 30 daily inspirational Bible quotes posts. She's the type that was so pissed off that both of her kids went with courthouse marriages instead of going into debt for a wedding because she didn't get to walk down the aisle at her kids' weddings and post pics on fb. She's mentioned this several times, but definitely wasn't even willing to spend a dime towards a wedding that no one wanted except her. She was also unwilling to take a day off work to go to the courthouse with us. With both of her kids' marriages, the kids and partners were together for a while and had kids before getting married, so spending tons of money on a huge wedding for either of us couples wouldn't have been the best way to spend money.
On mother's day, I gave my CM a card with a few lines written in it about how amazing she is and how I'm so grateful for her. I'm way closer to her than BM. CM is my chosen family and to me, your chosen family is the one that means more because you chose them, you didn't just get stuck with them. My blood family is incredibly toxic, so I stick with my chosen family. CM made a fb post with all that she got for mother's day. It was gifts and cards from her own children, and of course my card as well. CM & BM are fb friends, so of course BM saw it. Also, BM has everyone convinced she's this sweet, little old church lady, but she is far from it.
So, this Tuesday she got her cards in the mail. I always give her one from hubby and myself, and a separate one from our boys. I wrote a nice little note in it. Not long, a line or 2, but it was more effort than she put into my card. She sent me and hubby the following in a group text...
Copy and pasted, only edited out names.
"Got my cards in the mail today. 😭. They were post marked Saturday. You could of kept them til I got there or next year. It's like yall bought them Saturday, wrote a few words and rushed to get them to post office. My heart 💔broken. I thought I deserved better. I wish I could send pictures of my card verses [CM] 😩 card. I couldnt tell which gift was yours. But least I have a year to try do better and be worthy of such wonderful words of love and praise that was written to her.
I don't mean to complain or seem ungrateful but I wished you hadn't mailed them.😭😭. I can't explain how crushed I am.😔 Anyway hopefully I will see yall on the 20th."
Note: my oldest son is graduating on the 20th. She was supposed to drive down and spend the night with us to attend the graduation. I honestly believe she picked this fight because she doesn't want to drive the 6 hours down here.
If you "don't mean to complain or seem ungrateful" then why tf did you send it? I asked my husband what was his initial reaction and he said, "Really?!? All she had to do was say thanks."
So, after I talked to my husband and oldest son (I wanted to make sure everyone was on board with what I was saying before I sent it) , I sent her this response:
"I mailed them on Friday, I bought them several weeks ago. I told you I hadn't mailed them yet because I've been in a deep depression and you dismissed my feelings like always. I have real, valid feelings and you always dismissed them as silly. And come after me because now you're feelings are hurt. Wow, ok. The absolute audacity. And it's not just with your cards that I'm slacking. It's with everything. Because I have depression. I'm overwhelmed on top of that and literally the only thing you care about is a card. I tried to express my feelings the other day on the phone and you dismissed them like you always do. I know things will be fine, but in this moment they are not and you don't get that. Because you don't understand how or why I feel the way I do, then my feelings are silly or invalid to you.
And I never gave [CM] a present. Don't know why you thought that.
Don't worry about coming down on the 20th."
She replies by trying to blackmail me;
"Well my am so sorry I said anything. I never realized you thought that about me. I never dismissed your depression but yes i never knew what to do for you. I am not going to go back and forth about this. I will text [son] and let him know you told me not to come."
She's not sorry to me for being dismissive, she's sorry because now she doesn't get her "Proud MeMe moment" and can't post pictures of her at his graduation on fb. And even if she didn't "know what to do" for me, all she had to do was ask. Or listen. Or give a damn hug. But, no, she just dismissed me bc to her depression isn't real. And she's not going back and forth bc she knows shes wrong! Little did she know that I had already cleared it with hubby and son before sending the text, so I think she thought it would make me look bad to my oldest son that I told her no to come. Oldest son said, "I'm neutral, I don't care if she comes or not. It's not like she's had anything to do with us since she moved, and barely had anything to do with us when she was here."
So, my last text to her said, "He knows. I asked him before I texted you, and he's good with it."
All she had to do was say thanks or not even say anything at all. But, no, she had to say something stupid. Even her own son said that she's lucky she even got a card bc if it was up to him, her actual son, she wouldn't have gotten anything. So, not only is she not invited to the graduation, she's never welcome in my home again. The great part is I don't have to share my holidays with her ever again!!! And please know that I'd never keep her grandchildren from her, but if she wants a relationship with them, she'll have to put some effort in. And we all know boomers hate effort.
If you made it this far, thanks for reading my rant. I appreciate you my friends!

This story has been gaining some small online traction over the past couple of days, and Russell Edwards has been namedropped again by Keith Bennett’s brother, Alan Bennett, on social media. I want people to be in no doubt about what Edwards did back in 2022, and I want to make sure that the following ranks near the top of Google searches too so that people can easily find information that discredits this complete and utter charlatan.
Header photo description and credits: Greater Manchester Police employing a drone in the excavation of the site searched for the remains of Keith Bennett on Saddleworth Moor, 2nd October 2022. Manchester Evening News

Who is Russell Edwards?

Edwards is a self-proclaimed “amateur detective”, who has for many years invested a lot of his own time and money into trying to get to the bottom of numerous infamous unsolved cases. He has claimed to have identified Jack the Ripper as a Polish barber named Aaron Kosminski, and wrote a book about his “findings” called “Naming Jack the Ripper” - which have since been called into question along with the credibility of both Edwards and the forensic scientist he collaborated with in regards to both Jack the Ripper and the Moors Murders, Jari Louhelainen.

The known facts of Keith Bennett’s disappearance and murder

Keith was walking to his grandmother’s house on the evening of 16th June 1964 when he was abducted by Ian Brady and Myra Hindley. According to their accounts, he was driven up to Saddleworth Moor and endured sexual assault before he was strangled to death and buried in a shallow grave. There is a detailed and extensive write-up on Brady’s and Hindley’s conflicting accounts linked here. Tragically, to this day Keith Bennett remains the only one of the couple’s victims whose remains were never recovered.
I would strongly encourage everybody to read these FAQs around the search for Keith too. I wrote these up a while ago, and Alan himself has been kind enough to contribute to them as well after the fact.

The 2022 “findings”

First off, here’s where exactly Edwards made his “discovery” in relation to where the other bodies were found. I should state that this area consists of plenty of gullies and peat soil. If you click on the 2022 Search on Saddleworth Moor flair, you‘ll see everything we discussed in this subreddit as the search was being carried out. But I will recap what happened anyway.
In a statement published on 30th September 2022, GMP Force Review Officer Martin Bottomley said:
“At around 11.25am on Thursday 29th September 2022, Greater Manchester Police was contacted by the representative of an author who has been researching the murder of Keith Bennett, a victim of Ian Brady and Myra Hindley. Following direct contact with the author, we were informed that he had discovered what he believes are potential human remains in a remote location on the Moors and he agreed to meet with officers yesterday afternoon to elaborate on his find and direct us to a site of interest.
“The site was assessed late last night and, this morning, specialist officers have begun initial exploration activity. We are in the very early stages of assessing the information which has been brought to our attention but have made the decision to act on it in line with a normal response to a report of this kind.”
It was first reported in the Daily Mail that a “skull” had been found, although the same article then went on to say that “detectives are preparing to exhume a particular area where suspected skeletal remains have been found including what experts believe to be a child’s upper jaw with a full set of teeth”. It was also reported that a small piece of blue and white striped material, and potential samples of body tissue (although this was later discredited as a probable mixture of vegetation and muddy water), had been found.
Edwards had claimed he and his team had conducted extensive soil analysis of the area, which they had discovered 4 weeks before. There were high levels of calcium, which can indicate the presence of human remains (but the team did not mention that it also indicates the presence of limestone or another high calcium natural material). Describing the dig, he said “the smell hit me about 2ft down. Like a sewer, like ammonia. I worked as a gravedigger when I was 19. It hits you, that smell of death. It is distinctive.”
Alan Bennett later stated that the smell was probably methane - of which there are pockets containing it across the moor. Edwards also falsely stated that everything was left in situ - more on that in the paragraph after the next one.
On Saturday 1st October, Greater Manchester Police issued a statement saying that “no identifiable human remains have been found” - despite what several tabloid and local newspapers had been reporting. It was confirmed that drones were being used in the search on the 2nd October, and a statement issued by GMP later that day confirmed that excavation of the site will continue for the foreseeable future.
Edwards and members of his team started posting on Facebook and declaring that Keith Bennett had already been found. On 2nd October, Jari Louhelainen, a Senior Lecturer in Molecular Biology at Liverpool John Moores University and a member of Edwards’ team, posted a photo of himself analysing what he suspected was a “bunch of hair” from the dig site. He later confirmed in the comments of his post (after being called out for posting it in the first place) that it was a “look-a-like plant material”.
On 4th October, Detective Chief Inspector Cheryl Hughes, of GMP’s Force Review Unit, said: “Forensic Archaeologists and Forensic Anthropologists have now completed a methodical archaeological excavation and examination of the area previously dug and refilled by the member of the public. No bones, fabric or items of interest were recovered from the soil.
“These accredited and certified forensic experts are now continuing with a methodical and controlled excavation of the area immediately surrounding the original site to provide a higher level of assurance of the presence or absence of any items of interest. Further soil samples have been taken for analysis, but at this time there is no visible evidence to suggest the presence of human remains. The scene examination is ongoing.
“A report of possible human remains is always treated with seriousness. As such, we have deployed police search advisors who can support our scenes of crimes officers – this will result in more visible and high profile tactics, such as officers walking in lines to identify any potential sites of focus.
“GMP is committed to providing Keith’s family with answers following this report, both from the physical excavation and subsequent analysis of samples. This will take some time but we will keep the family updated at every stage and request that their privacy is respected.
“We have seen the outpouring of support since this news broke so know how our communities feel about this case but we are asking members of the public not to travel to the area and can assure them that we will provide timely and appropriate updates.”
At 2pm on 7th October 2022, Greater Manchester Police announced that they had closed the scene on Saddleworth Moor after finding no evidence to indicate the presence of human remains. “At this time, there is no evidence of the presence of human remains.”
Assistant Chief Constable Sarah Jackson, portfolio holder for crime, said: “We have always said that we would respond, in a timely and appropriate manner, to any credible information which may lead us towards finding Keith. Our actions in the last week or so are a highly visible example of what that response looks like, with the force utilising the knowledge and skills of accredited experts, specialist officers and staff. It is these accredited experts and specialists who have brought us to a position from where we can say that, despite a thorough search of the scene and ongoing analysis of samples taken both by ourselves and a third party, there is currently no evidence of the presence of human remains at, or surrounding, the identified site on Saddleworth Moor. However, I want to make it clear that our investigation to find answers for Keith’s family is not over.
“We understand how our communities in Greater Manchester feel about this case, the renewed interest in it and the shared desire to find Keith. Much of Saddleworth Moor is private land so we would ask that members of the public, in the first instance, report any perceived intelligence to their local police service. The discovery of suspected human remains must be reported immediately to enable the use of specialist resources to investigate appropriately.”
Senior Investigating Officer Detective Chief Inspector Cheryl Hughes said: “The investigation into Keith’s disappearance and murder has remained open since 1964 and it will not be closed until we have found the answers his family have deserved for so many years. We are thankful for their continued support of our ongoing enquiries. This has been a distressing time for them and we ask that their privacy is respected.
“We understand the confusion which may have been caused to Keith’s family and communities across Greater Manchester by reports to the contrary. We hope that by giving this detailed update today, we provide reassurance that GMP are committed to finding accurate answers for Keith’s family.
“In response to the report made on Thursday 29 September 2022, officers met with the member of the public who later provided us with samples and copies of the photographs he had taken. He also took officers to the location from which he had obtained these and provided grid references.
“In the days since, independent accredited forensic archaeologists and certified forensic anthropologists, together with GMP’s Crime Scene Investigators, have completed a methodical forensic archaeological excavation and examination of the identified area and beyond. An accredited forensic geologist also took a number of soil samples – analysis of which is ongoing.
“The items given to us by the member of the public have been examined by a forensic scientist and though this hasn’t yet indicated the presence of human remains – more analysis is required. With regards to the photograph, we have sought the assistance of a forensic botanist. We are now utilising the knowledge and skills of a forensic image expert to put a standard anthropological measurement to the object to assist with identification. At this stage, the indications are that it would be considerably smaller than a juvenile jaw and it cannot be ruled out that it is plant-based.
“The excavation and examination at the site is complete and, to reiterate, we have found no evidence that this is the burial location of Keith Bennett.”

Aftermath

It was discovered that two of Edwards’ team members, Lesley Dunlop (a geologist) and Dawn Keen (a forensic archaeologist) were not accredited professionals in their respective fields. Alan Bennett clarified in a Facebook post on 5th November 2022, in reference to Keen:
“Any professional archaeologist would ask for a scale in any pictures or video taken at a scene [in reference to the fact that police confirmed the object found was too small to be a juvenile jaw], that was not the case here and the reason police had to call in a photographic specialist to determine the scale of the supposed jawbone..which turns out to be too small for a child from what I've been told so far and, of course couldn't be found anyway and could only have been vegetation if anything at all.”
I am not entirely sure what the “blue and white striped fabric” turned out to be - I assume that nothing was found.
Alan has since posted evidence that Russell Edwards had been planning the “discovery of Keith’s remains” as part of a stunt to promote his upcoming book on the case - a book that Edwards has been radio-silent about since all of this controversy.
Edwards has refused to apologise to Keith’s family and despite being proven wrong, and him and his team being called out for the charlatans they are (with even him admitting that his own reputation is in tatters), as of December 2022 he stood by his actions and his claims that he believed he had found Keith’s body.
To my own understanding (though I do not speak on behalf of Alan Bennett or on behalf of anybody who was involved in this whole debacle, let me be clear), there has been complete radio-silence on news of Edwards’ book since this date.

I'm looking to sell my Supernote A6X with brown leather folio. It's purchased in January 2023 - so it has the FeelWrite 1 screen. 32 GB of storage. I also have the black/silver heart of metal 2 pen that I can include, but it's engraved with my initials.
The device is in great condition. The folio is slightly worn with minor scuffs on the front/back and discoloration on the pen holder. I can send pictures and answer questions over PM or chat.

So.Okay. This is my first post on reddit. I didn’t think that I would ever go from a faceless observer to a person who talks about his problems. I would also like to say that English is not my native language, so I apologize in advance for any mistakes.
Honestly, I don’t know why I’m writing all this. Why am I deciding to tell you. Is it because I want to speak out, or because I want support and advice, or maybe all together? In fact, I’m just tired.
My story is sure not new. It is not long. Not shocking. Perhaps this cannot even be called sexual violence, or violence as such. However, after so many years, I am returning to that horror again. Again I cannot sleep and think adequately. It feels like all the life has been sucked out of me again.
This happened when I was either 7 or 8 years old. I don’t even remember now. We then lived in a rural area, and due to the lack of peers, my best friend was an adult girl who lived next door. I don’t remember how old she was either. Then, at that moment, she felt like she was quite an adult. At least 17 years old. Now, rationally, I would give her about 14-15. I was a rather lonely child. I often tried to be away from home because of my tyrant stepfather who lived with us at that time. To put it mildly, he didn’t like me.
I spent almost all my time with this girl, let's call her Kate. We went to school together, and I often went to visit her. Her family was also not very prosperous. Her mother, who often drank and was away from home, her father, whom I saw only once, and her great-grandmother, who lay practically dead in the same place. Motionless, like a statue.
One day Kate asked me what I knew about porn. I was confused to say the least. It's not like anyone had told me about it before.
Having heard my answer, she promised to educate me on this matter, because I am “already such a grown-up girl” and should be cool. And all the cool girls watch and know what porn is.
I, not really understanding what this meant, agreed with her. After which Kate called me once again to her home.
I don’t remember what happened during those couple of hours that I sat with her. Now only sketchy pictures of my “enlightenment” are being reproduced in my head. Dozens of videos of a cruel nature, with elements of rape and torture. Masturbating Kate, whose face certainly showed excitement, her laughter in response to my horror. I remember that I begged her to stop. I begged her to let me go home. However, she only said, “You want to be cool and grown up?” including another video. So we sat there for about an hour or two. I don’t remember my trip home, nor do I remember the feelings.
Since then and to this day, I have an ambivalent relationship with sex and porn. I hate them with all my soul. But I also often catch masochistic and sadistic fantasies. Sometimes I act as the victim of these swarms. Sometimes I act as the punisher. These thoughts often don’t leave my head. And I understand that they are unhealthy. However, I just can’t get rid of them. I often suffer from nightmares. I hate when people touch me and any hint of intimacy. However, in contrast to this, this destructive crap still lives in my soul. Sometimes I have hallucinations. I wouldn’t say that this is the most shocking event in my life. No, I’ve seen all sorts of crap. However, to this day, shame lives inside me for what happened and is happening. self-hatred and misunderstanding what the hell happened. I wouldn’t call it sexual violence. Still, in my case, they just forced me to watch a couple of videos. So why can’t I still let this go? Why can’t I still tell anyone? I don’t know.
Thank you for listening to me. While writing this text, I felt a little bit better

Shipping is not included in the price and I'm willing to negotiate on bundle deals. All games are tested, working, and authentic. Games are loose and don't have any boxes. Pictures upon request. Thanks!
GBA
Pokemon Emerald - 211.00
Pokemon FireRed - 120.00
Pokemon LeafGreen - 119.00
Pokemon Ruby - 84.00
Pokemon Pinball - 53.00
Harvest Moon Friends of Mineral Town - 36.00
Pinball of the Dead - 36.00
Pokemon Mystery Dungeon.- 32.00
Zelda Link to the Past Four Swords - 30.00
Mario Golf Advance Tour - 30.00
Final Fantasy Tactics Advance - 29.00
Mario Pinball Land - 19.00
Yoshi's Island - 18.00
Pokemon Video Blastoise/Meowth - 18.00
Super Mario Advance - 17.00
Super Monkey Ball Jr - 10.00
Spyro Season of Ice - 7.00
Harry Potter - Chamber of Secrets - 6.00
Life/Yatzee/Payday - 5.00
Zapper - 3.00
Super Bubble Pop - 3.00
DS
Pokemon HeartGold - 140.00
Pokemon Black Version 2 - 135.00
Pokemon SoulSilver - 130.00
Magicians Quest Mysterious Times - 122.00
Pokemon Platinum - 110.00
Pokemon Black - 75.00
Chibi-Robo Park Patrol x2 - 36.00 each
Pokemon White - 70.00
Pokemon Conquest - 63.00
Izuna Legend Of The Unemployed Ninja - 62.00
Avalon Code - 62.00
Dragon Quest Monsters Joker 2 - 53.00
Animal Crossing Wild World x2 - 25.00 each
Dragon Quest Monsters Joker x2 - 22.00 each
Fire Emblem Shadow Dragon - 42.00
Pokemon Pearl - 38.00
Luminous Arc - 37.00
Pokemon Ranger Guardian Signs - 34.00
Luminous Arc 2 - 31.00
Mario Party DS x2 - 15.00 each
Final Fantasy Tactics A2 - 30.00
Pokemon Ranger - 30.00
WarioWare Touched - 35.00
Blue Dragon Plus - 23.00
Zelda Phantom Hourglass - 21.00
Touch Detective - 20.00
Pokemon Mystery Dungeon Darkness - 20.00
Super Mario 64 DS - 19.00
Viva Pinata - 19.00
Pokemon Mystery Dungeon Blue - 19.00
New Super Mario Bros. - 16.00
Disgaea DS - 14.00
Hello Kitty Big City Dreams - 14.00
Virtual Villagers - 12.00
Professor Layton Curious Village - 10.00
Transformers War for Cybertron - 10.00
Crime Scene - 7.00
Escape Museum - 7.00
Polarium - 7.00
Nintendogs Chihuahua - 7.00
100 All Time Favorites - 6.00
My Baby Girl - 6.00
Rudolph - 5.00
TouchMaster - 5.00
TouchMaster Connect - 4.00
Scribblenauts - 4.00
3DS
Pokemon Omega Ruby - 30.00
Mario Party Island Tour - 12.00
Mario Kart 7 - 12.00
GameBoy
Tetris - 15.00
Las Vegas Cool Hands - 2.00
Accessories
Action Replay DS - 46.00
Gameboy Advance SP Venusaur Case - 60.00
Platinum & Onyx GameBoy Advance SP - 129.00
GameBoy Advance Wireless Adapter - 20.00

Hi guys. I'm really concerned because when I was taking my lit exam I was so focused on writing all the time that I think I forgot to label which essay I was answering. I'm sure I bubbled in Q3 but I'm not sure if I bubbled Q1 and I'm sure I didn't bubble Q2 because it was the last one I was answering. I was running out of time and I barely had time to finish my thesis sentence before time was called and I had to put down my pencil. I was so focused on how I missed to mention some things in my thesis (for sophistication) that I forgot that I had to bubble in the questions at the top at all, so I closed the book.
Will my score be in peril? Can the ap reader figure out which essay I was answering from my mention of the author and work on my thesis? I'm really worried because I wrote my best lit essays yet and I think I might get a 5 so I don't want my hard work to go to waste because I was stupid.

Hey Pinball Fans, look at this note. Look at this work of art. (If art is about length and long lists for you) Our team went all out this time and it is our pleasure to present this list of fixes for you.
Tables added:
Pacific Rim Pinball
Super League Football (Free download on consoles for 7 days, on PC for 30 days. Get it now and keep it forever)
Universal Classics: TV Pinball:
Xena: Warrior Princess Pinball
Knight Rider Pinball
Battlestar Galactica PinballNew Features on PlayStation, Xbox and PC:
UI overhaul and upgrades
XP system
Notification system
New optional Pinhall, New optional music
General fixes:

• Fixed an issue where "An error has occurred while publishing your scores" could pop up frequently
• Fixed an issue where a start of a new season would unlock all rewards

Fixes for PlayStation, Xbox and PC:

• Nudge button hints are now displayed properly
• Williams Pinball: Volume 1 Questline - Mission 9 - Double Score powerup timer set from 5 seconds to 20

Fixes for PC:

• Fixed an issue where camera controls were stuck to ‘C’ even after setting a different key
• Fixed an issue where the game crashed when players closed a 2-player-hotseat table in cabinet mode
• Fixed an issue in Cabinet Mode - where players had to Reload Configuration every time

Table Fixes:
A Charlie Brown Christmas™ Pinball

• Fixed an issue when the ball could stuck in the left kickback
• Reduced the time of the ball being held by the saucer during the Mystery Animation, added manual eject option as well
• The “Collect Bonus” award no longer resets the bonus multiplier
• Fixed the typo in the song credits
• Fixed the typo on the display
• Music for the Pigpen Snowman mode no longer replaces the main theme after the mode ends

Crypt of the NecroDancer Pinball

• Fixed an issue, where the boss music can play alongside other tracks
• Fixed an issue, where the ball can leave the miniplayfield
• Fixed a typo on the bottom right of the playfield
• Adjusted the German translations at the ball launch
• Adjusted the ball kickout system in the bonus room
• Fixed an issue, where the Bomb lamp could stay lit after usage
• Fixed an issue where the ball could go ballistic after a weak plunge

Terraforming Mars Pinball

• Added rollover switches above the bumpers
• Fixed an issue where the instructions overlapped on the display

Exploding Kittens®: A Pinball Cat-astrophe

• Fixed an issue where the Jackpot status didn’t reset
• The pop-up score at Super Skillshot will display the correct score

Homeworld®: Journey to Hiigara Pinball

• Fixed an issue where the spin disk could drop the ball between the flippers
• The video display no longer freezes after the Return to Kharak mode
• Increased the speed of the research toy by 30% for a more dynamic gameplay

Brothers in Arms®: Win the War Pinball

• Fixed an issue where the bonus screen could appear when the ball is in play
• Fixed an issue where the ball could get stuck in the bumpers

Borderlands®: Vault Hunter Pinball

• The ball can no longer get stuck behind the green box
• Fixed an issue where the instructions overlapped on the display

Grimm Tales

• Fixed a soft lock occurrence at the end of the Cinderella tale
• Fixed the appearance of the transparent ball curse so it won't be invisible
• Crystal Multiball will no longer end after locking a ball at the Castle Gate
• Fixed the “Book of Tales” end of bonus description
• Fixed an error where the Magic Mirror award prevented further progress at the final battle
• Fixed an issue, when hitting the wolf last during the Wolf & Seven Goats followed by an immediate drain will prevent further completion of the mode
• Scoring a Jackpot during Crystal Multiball will release the balls from the Tower Locks to prevent any exploits
• Fixed an issue where the localized "More hits for your Multiball bumper" text had an overlapping issue

Verne's Mysterious Island

• Fixed an issue where the could stay on the volcano
• Adjusted the power of the kickback and sinkhole kickout

Jurrasic Park Pinball

• Fixed an issue where the ball could get stuck in the perimeter fence
• Fixed an issue where the first left orbit shot phases through the diverter

Peanuts' Snoopy Pinball

• Fixed the position of the right outlane post
• Fixed the speech bubbles remaining in 0-degree orientation when the screen is rotated
• The table no longer awards extra balls in challenges

Star Trek™: The Next Generation

• Adjusted View 8 in portrait mode
• Fixed an issue where the ball could balance on the tip of the flipper
• Reduced the power of the auto-launch during challenges

Star Wars™ Pinball: Han Solo

• Fixed an issue when the table can softlock after draining the regular ball in the “He Certainly Has Courage” mode in challenges
• Fixed an issue when the screen turned black in the TIE Fighter Attack mode

Star Wars™ Pinball: Masters of the Force

• Fixed an issue where the HOLD BONUS X and EXTRABALL flashing lights were offset
• Fixed an issue where the ball locked without having to spell LOCK
• Fixed a view issue when a lock happened

Star Wars™ Pinball: Episode VI: Return of the Jedi

• Fixed an R2-D2 magnet issue
• Fixed a malfunction on R2-D2 kickback
• Fixed an issue where the TIE Fighter could appear invisible
• Fixed an issue where the magnet wouldn’t work on one charge at R2-D2 Bumpers
• Adjusted combo timers on the table
• Adjusted mission goals on Scene 1, Part 2

Star Wars™ Pinball: Darth Vader

• Fixed an issue where the ball could bounce out of the table from the middle of the playfield

Star Wars™ Pinball: Episode V: The Empire Strikes Back

• Fixed an issue with the Hyperspace multiball
• Fixed camera handling and planet alignment in Hyperspace mode
• Adjusted lighting on the AT-AT, Luke and Darth Vader

Star Wars™ Pinball: The Clone Wars

• Fixed an issue where the Super Skill Shot could be hit by simply holding up the left flipper

Star Wars™ Pinball: Droids

• Fixed an issue where the left kickback returned the ball to the right outlane
• Fixed an issue where the left target lead the ball to the left outlane

Star Wars™ Pinball: Starfighter Assault

• Fixed an issue where the Solo Fighter mission (and achievement) was unwinnable

The Machine: Bride of Pin·bot:

• Fixed an issue where if a ball drained with 1 lock (Partial Optical Link) activated, the optical sequence reset without considering how many balls are locked physically
• Fixed an issue with ball locking during Metamorphosis

E.T.: The Extra-Terrestrial Pinball

• Fixed an issue where Levitation Save could fail to place the ball above the flippers.
• Fixed a Flips Challenge exploit: Ball could autoplunge directly into the bumpers.
• Fixed a physics issue with the ball travelling down towards the flippers

Williams™ Pinball: Medieval Madness™

• This crumbling brick effect is now present in all instances where needed

Williams™ Pinball: Black Rose™

• Davy Jones' Locker ramp texture is now moving with the rest of the ramp.

Williams™ Pinball: Champion Pub™

• Fixed an issue where the ball could get stuck on the elbows of the fighter during any match, Fisticuffs Multiball included.

Williams™ Pinball: Safecracker™

• The music and VO will now not be cut off by the end of game menu
• Tokens will now properly save between games
• Fixed an issue where an upwards nudge could stop the time if the player had a locked ball
• Fixed an issue where repeatedly nudging resulted in the clock stopping

Williams™ Pinball: White Water™

• Fixed an issue where Ball 1 lock on the table was showing as ball 3 locked

Williams™ Pinball: Red & Ted's Road Show

• Fixed a typo on the table
• Fixed an issue where the ball would be removed from the small flipper lane if 2 balls were stalled there
• Fixed an issue where the game could end with a ball stuck in Ted’s mouth in the 5 minute challenge

Williams™ Pinball: Hurricane™

• Fixed black textures on Carousel

Williams™ Pinball: No Good Gofers™

• Fixed an issue where the ball could hit a switch more than once
• Fixed autoplunger problems in challenges

Williams™ Pinball: Space Station™

• Plunger camera angle adjusted

Williams™ Pinball: FunHouse™

• Fixed an issue where the upper flipper rubber is interfering with the wall

Williams™ Pinball: Dr. Dude™

• Fixed a faulty effect on the backglass
• Fixed an issue where there weren’t any combos or ball saves in Arcade mode
• Backglass lighting will now be turned on properly

Williams™ Pinball: Twilight Zone

• Fixed an issue where the ball could fall under the right flipper after a drain and get stuck
• Left outlane adjusted
• Adjusted Skill Shot camera

Williams™ Pinball: World Cup Soccer

• Fixed the Williams logo shadow on the flippers
• Fixed an issue where the ball could stay behind the goal during multiball
• Fixed an issue where zhe upkick near the goal did not properly kicked out the ball
• Fixed a display issue in the Table Guide

World War Z Pinball

• Fixed an issue where the ball did not stay on the left ramp properly
• Fixed an issue where the ball could get stuck in the Loot sinkhole
• Fixed an issue where the ball could get stuck in the saucer during Flips Challenge
• Fixed an issue where the game could fail to exit out of the Skillshot phase
• Fixed an issue where the auto-plunge could hit the ball into the left outlane

Wrath of the Elder Gods

• Fixed an issue where the ball could exit at the middle of the ramp
• Fixed an issue where locking a ball while Mystery was lit at the right upper orbit denied a chance at a Skillshot
• Fixed an issue where tilting during Herald of its Word could result in the ball skin being applied for the next ball
• Fixed an issue in 5 minute challenge - The mystery extra ball award value could be multiplied by 4
• Fixed an issue where if Maw and Cult of its Arrival multiballs are started on top of each other the lane lamps could flash incorrectly
• Fixed resetting issues with the Skillshot if Skillshot power-up is used
• Fixed an issue where if Maw and Herald of its Word multiballs conflicting resulted in 2 balls on the playfield without any multiballs running
• Fixed an issue during multiball, where the Herald could keep the ball, juggling it indefinitely
• Fixed an issue where the Herald could be beaten in one shot, instead of several shots
• Fixed an issue where the Madness counter did not reset when winning a mode with ballout
• Fixed a display issue around Bumper Bonus
• Fixed several localization issues in Italian
• Fixed an issue where pictures did not appear properly on the right notepad
• Fixed an issue where the ball could fall off the rails if shot with the right power

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Remember to check our Ai Generator: CandyAI

FIRST CHAPTER
PREVIOUS CHAPTER
This product is a fanfic of the Sexy Space Babes/Between Worlds product of u/Bluefishcake and one I highly suggest you read. It was created with permission, but give the OG works some love.
Imgr gallery of Comissioned and Fan Artworks
I'm Back Bitches! Again!
//////////
Junior Systems Engineer First Class Che’keero knelt before a semi-sparking control panel and sighed. She, and a large band of her fellow Engineers with Marine support, had boarded the pirate frigate with the singular goal of ensuring that the pirates didn’t scuttle their floating hulk and doom the slaves aboard to a, if they were lucky, a swift death in space.
The problem, of course, came with the pirate’s maintenance schedules and decisions to forgo certain… safety measures when it came to repair.
Like the panel before her. Usually a perfectly functional control system for the reverse-magnetic bulkhead doors that ensured void seals in power outages, some pirate at some point in their dumb, dumb life decided to fix the panel blowing a fuse… by ripping the fuse out and replacing it with a high density power cable. Which meant the entire thing was one massive shock hazard and actively sparking as the reactors deep in the ship flickered and surged due to damage.
Che’keero swore as an arc of electricity flashed towards her face after a tool that was not supposed to be magnetized, cheap dick WaDepth requisitions, caught a magnetic field, fusing the entire system shut and turning the formerly barely functional control system into nothing but pretty, decorative wiring and cheap solder. She punched the now utterly unfunctional control box and toggled on her radio. “Three-Two to Three-Lead, this door’s fried. You’ll need to bring in the cutters if we want to get to the rest of the ship. Might as well also bring in an inflatable airlock, I’m not liking how some of the metal strain sensors are flashing at me.”
A semi-synthetic voice replied back to Che’keero, “Three-Lead copies. I’ll be over there shortly with the stuff. Double check those sensors, I’m not getting the same readings, so let’s make sure something isn’t blocking errors from reaching me.”
“Copy that Three-Lead, Three-Two ou-” Something tapped against the back of her helmet and Junior Systems Engineer First Class Che’keero mentally swore.
“Now, now, lassie, how about you sit right there and don’t move.” A nasally, unfamiliar voice called out to her while tapping what a camera she set up to watch her back revealed to be a laser pistol to Che’keero’s helmet. “I think that you’re going to be our new best friend and way off this dead end ship.”
Che’keero paused, letting the situation settle in her mind, “Wait, what? Are… are you taking me hostage?”
“Yes!” The pirate replied.
“Why?”
“Why what?”
“Why are you taking me hostage? This won’t work, none of the shuttles are jump capable and if you try anything, you’ll just end up jumped by marines. They specifically train to deal with pirates taking their engineers hostage. If you want to survive, you should just surrender and take the penal colony when it’s offered.” Che’keero mentioned, shrugging and continuing her inspection of the door.
The pirate seemed baffled at the sheer nonchalance of this response, the pistol slowly falling to merely point at her upper back instead of her head, “You… you really aren’t taking this seriously. I’m a pirate! I’ve killed people! I’ve killed boys, and you’re just sitting there like this doesn’t mean anything!”
“I mean… I wouldn’t say that.” Che’keero replied.
“THEN WHAT DO YOU MEAN!” The pirate screamed, the pistol moving away from Che’keero’s body by a fraction of an inch during an angry gesture.
It was at that point, a ceramic alloyed, carbon steel blade punched clean through the back of the pirate’s suit, slicing through their central nervous system and striking with enough force to shatter the faceplate of said pirate’s helmet on the way out. Muscles twitching, the laser pistol fired off randomly, missing Che’keero and slagging a chunk of bulkhead.
“I’m just buying time,” Che’keero replied cheekily.
“You really need to remember to check your cameras,” The semi-synthetic voice of Ventures Forth Bravely Into Great Unknowns commented as the ex-pirate fell to the ground and blue blood dripped from the long blade sprouting from her right arm and a toolbox hanging from her left hand. “This isn’t the first time you have been flanked, and this one wasn’t during training.”
“Look, I’m sorry. It won’t happen again.” Che’keero replied a bit testily.
“I’m sorry…” Ventures Forth prodded.
“I’m sorry, Ma’am.”
“Much better. Right, now what do we see in this- yeah you were right on it being fried.” Ventures Forth gently shoved the Junior Systems Engineer aside and took her place at the control panel. “Do a sweep of the strain systems. I don’t want this section of the ship breaking apart. Feel free to call up our hull patches. We’ve got plenty to share and this might have to be a lifeboat.”
“Aye, ma’am aye,” Che’keero replied with a crisp salute before rushing off to her duty.
Deeper inside the ship, Ventures Forth could hear laser fire, clashing of metal on metal, and cries for help.
The pirate ship was doomed, it was shattered and broken, but it was not destroyed. Not yet. \
And if she had her way, Ventures Forth Bravely Into Great Unknowns would keep it that way.
//////////
Roshal stood still as her steward continued to clean the dark blue and rapidly congealing blood off her armored form. “Comms,” She called out, “Do we have any contact with the shuttle we sent to the station?”
“Negative, ma’am.” The comm officer replied. She wasn’t the same one that was present when Roshal left to fend off the boarders. At the unspoken question, the woman continued “Communication’s Mate Second Class Lev’tal, ma’am. My superior got a concussion when the pirate ship rocked our ship during boarding. Strap snapped, prior damage. I took over.”
Roshal nodded approvingly, “Good initiative. Send a message to the station, see if we can’t rai-”
“Ma’am! Contact!” One of her sensor techs called out, “Belay that, two contacts. First contact, nav point 782 spinward, possible bogey, cruiser weight. Unknown movements. Second contact, nav point 102 coreward, aerospace assets inbound. Small flight. Hard to determine numbers due to damage. No less than two, no more than five.”
“Focus on getting a hard contact on that possible cruiser. Weapons, what is the status of our anti-aerospace.” Roshal demanded, holding her sword arm out for the steward to scrub at a particularly clotted chunk of blood splattered over her wrist.
The weapons officer shook her head, “If we’re lucky, then we’ve got 20% coverage on half our sides. If we’re very lucky, I might be able to bump that number up to 35%. Not going to quote doctrine, but that’s not nearly enough to fend off a flight of Aerospace assets on a strike run, and that’s assuming they don’t hit us on an unprotected flank.”
Roshal nodded once more, “Sound general quarters and get weapons and tactical back online. Tell the damage control parties to not be distracted and focus on critical systems first. Engine room, report. Can you give me maneuvering thrust?”
The nearby ship phone chimed in with a staticy hiss, “Negative, ma’am. The shot we made with the spinal mount tripped breakers up and down the reactor room. This isn’t an engine problem, we need to make sure our reactor doesn’t blow up when we siphon power. Before you ask, emergency power is still flowing and none of their circuits tripped, but that means we’re down to life support, basic systems, and dockyard thrusters. It will take at least 20 to get the reactor in a safe state. If you want 10, send the chaplain down so we have someone praying for good luck. The fact most of our structural engineers are doing an EVA boarding to ensure the pirate ship next to us doesn’t go critical and render the entire exercise moot isn’t helping matters at all.” The engine room replied Roshal bit down a bit of annoyance at the snark, but engineers were always a finicky sort with authority. They were the first to remind uptight officers that while the Captain’s word may be iron law, it was their work that truly moved the ship.
“Confirmed, engine room.” Roshal instead replied. “Chaplains will be arriving shortly. Do what you can and inform me when you’re three minutes out from full power.”
The engine room didn’t even bother replying, just sending over the affirmative light as they got to work. Roshal approved of that. Sometimes, you just had to insult someone in order to get it working right.
“Captain, we have confirmation on contact. He’s an Alliance Karcharidon class Heavy Cruiser on intercept course. Energy readings are spiking… they’re charging their guns, ma’am!”
“Issue a hostile challenge and give me a firing solution with any gun still functional.”
“No response, ma’am. Hostile Karcharidon is increasing speed. Hard contact in 15 minutes.”
Roshal snarled, emotion breaking through her mask. “Of course, the pirates had one more vessel. Helm, fire our maneuvering thrusters, use the pirate hulk as cover. Weapons, get whoever’s left of our Interceptor flight to engage the enemy. Comms, get me in contact with the merchant fleet, tell them to evacuate. We’ll provide cover.”
“Aye ma’am.” The Communications Mate Second Class said with a shiver in her voice. “Sending-”
“Update on Aerospace assets!” Her sensor tech called out.
“Deliver!” Roshal demanded, cutting off the comms officer with a slice of her hand.
“Weapons fire. Definitely less than four contacts. Seems to be two grou- negative, only two contacts remaining- weaponsfire- one contac- IFF received, oh goddesses, IT’S RUNOFF THREE! FRIENDLY AEROSPACE INBOUND!”
//////////
Milk gripped her crash harness hard as Cookie slammed the Interceptor’s fusion torch clean past its safe thrust marker and into the red as g forces crushed her chest. “Last target down.” She reported after Cookie’s final laser burst hit something critical inside the final Aerospace fighter’s frame. “That’s 20 for 20. All enemy bogeys down. All standard munitions are in the black. Static drive is 48%, dump core ejected. All we’ve got left is our ASM and front laser.”
Cookie flashed back an affirmative signal.
“We going for that cruiser?”
Another affirmative.
“Well, I’m braced and ready on the release. Ready.”
“Ready.” Cookie spoke, his voice horse.
It’s funny what people think when their lives are on the line. Because charging towards a fresh enemy Heavy Cruiser, nothing but a single anti-shipping missile worth a damn, no allied support but the faint glimmer in IFF screens of their fellow flight doing the same… all Aoibhinn McDermott could think of was a poem she had read at least a decade ago or more at the Naval Academy.
Half a league, half a league,
Half a league onward,
All in the Valley of Death
Rode the six hundred.
//////////
Ventures Forth Bravely Into Great Unknowns could do nothing but furiously swear as the basic sensor system her engineering team had restored on the thoroughly ventilated secondary command bridge of the pirate hulk revealed an enemy Heavy Cruiser bearing down upon their homeship.
“Weapons are trashed. We cored their reactor, anyway.” One of the tangential engineers reported, “Other teams are calling in. Things are worse where they are. We’ve found the slaves, though, luckily it was one of the few airtight bays. Also, have some more captives, but that really doesn’t matter right now.”
“No shit.” Ventures Forth replied, “Can we do anything?”
The engineer looked back to her, visor depolarizing so the Gearschilde can look into the black and yellow eyes of her Shil coworker.
“Pray.” The woman replied simply.
Ventures Forth Bravely Into Great Unknowns did just that.
//////////
Low chanting filled the engine bay as a small group of priests stood around the engine praying to whichever god that would listen to allow them one more shot. One more fight.
Around them, black handed engineers scurried, ripping out blown fuses and replacing them with soldered in high strength wire. A final measure of desperation. Sparks flew as engineers swore and chaplains prayed, power still remaining in circuits needing to be bled out before bypasses could be installed, turning every bit of solder and every ripped out fuse into a deadly gamble.
Already, someone was lying on the ground, no longer twitching.
They didn’t have time to check on their fallen comrade, the work was too important.
A clock ticked down. Four minutes elapsed.
//////////
Lieutenant Commander Cenywyn swore as she watched Runoff 2 die.
Their single Interceptor had mistimed a maneuver and had been caught dead in the middle of an Anti-Aerospace array, shredded in an instant. The only consolation she could take was that, seeing as the first shot went clean through the cockpit, they didn’t even notice they died.
“Runoff 4, stay in formation.” She ordered over the radio, “We’ll lead you in for the run.”
“Yes ma’am.” The hesitant voice of Junior Flight Lieutenant Griogill replied. She swallowed, “We’re- we’re ready when you are.”
“No fear, Lieutenant,” Cenywyn called back to the child she was leading to her death. “We’re pilots in the Imperial Patrol. We do our duty. No fear.”
A clock ticked down. Six minutes elapsed.
//////////
“Talk to me!” The last remaining senior engineer in the reactor bay called out to anyone who was able to reply.
Someone, she didn’t even bother looking to see who, called back “We’ve bypassed 60% of the fuses. Should be able to give ourselves a burst of combat power. No more than 10 minutes of it before the entire system overheats and we either die, or the reactor shuts off.”
“Any chance we can get more than 10 minutes?”
“Not before that Heavy Cruiser delivers us straight to the stars.”
“Fuck it, good enough.” She slammed her fist on the ship phone’s dialing button resting near the console the engineer had just ripped the last safety override out of. “Captain. We’ve got your power. You give us the word, and we’ll give you ten minutes.”
//////////
Roshal breathed in, breathed out, and nodded. 10 minutes of combat power before the entire ship shut down into uselessness. She’d done more with less. She couldn’t remember when, but she had. Luckily, this was a Patrol Carrier instead of a standard ship, so it was more than capable of combat maneuvers with nothing but RCS thrusters. That should give her some time.
Movement, movement was going to be the key.
“Comms, tell the engineering crews on the hulk that they are ordered to figure out anything that could draw the attention of the Heavy Cruiser,” She began, “Systems, break our mooring lines. We’re going to have to split from the hulk. Helm, prepare for maneuvers. RCS only. We are going to have to do this carefully. Engineroom, prepare for power activation, but hold until my command.”
This needs to be perfect, Roshal thought, A single mistimed action ruins it all.
A clock ticked down. Ten minutes elapsed. The Karcharidon had entered maximum weapon’s range.
//////////
He of Slender Tail shivered where he stood. The secondary command bridge was silent as Roshal began giving orders to fight. This was… this was insane.
They were in a ruined ship with nothing but a merchant fleet beginning to flee and a three thirds dead pirate hulk on their side against a fresh Karcharidon class Heavy Cruiser.
They couldn’t win.
This was suicide.
They would die here.
\ So why didn’t He of Slender Tail feel afraid?
He stood at his post, a secondary bridge console where he would relay orders to other departments, freeing up the other Watchkeeper to collate those orders, there was nothing he could do to help win this impossible battle, and yet…
And yet he felt heat blossoming inside his chest with every single order delivered.
“Mooring teamsss, you are to cut your linesss immediately.” He relayed to a crew of Shil scurrying around the ruined bulkheads, “Damage control, prepare for electrical firesss and arcsss.” He commanded, switching between teams instantly.
He didn’t feel fear. He could see his Watchkeeper shiver every time the sensors reported the enemy contact was still closing, but he didn’t feel the same.
What he felt… was indignation.
How dare this pirate scum threaten his vessel, his crew. How dare they ambush this valiant ship after they had fought so hard to win. How dare they.
He let his fangs fold out as he spat the next order, “Anti-Aerossspace teamsss, prepare your batteriesss for grouped fire. Gunnery calculationsss are on their way.”
How dare they stand up to him.
A clock ticked down. 12 minutes elapsed. Weapons fire.
//////////
Roshal swayed slightly as she could feel the ship beneath her feet move. Movement is life in naval warfare, movement is death. “Right RCS fire, bring us clear of the hulk. Bow thrusters, up twenty.”
“Aye, ma’am, aye, right standard and bow up twenty.” The Helmswoman replied.
“Confirmed. Next maneuver, give us rear thrust-”
“Torpedo!” The sensor operator called out in a shrill voice, “Two marks on intercept course! Range, twelve K and closing fast!”
“Decorum!” Roshal snapped at the panicking sensor technician. “Comms, order Runoff flight to divert and intercept those torpedoes. Rear RCS to full, give us momentum.”
Roshal turned away from the bridge as affirmations were shouted, and the ship began to move, “Engineering, prepare to activate combat power on my mark and prepare for hard maneuvers. Mark in five.”
//////////
Griogill swallowed bile and tried not to feel too thankful that the enemy vessel had fired torpedoes at their home ship. Being diverted from an attack run had a much higher chance of survival than striking through an AA bubble.
“Runoff 4 engaging far torpedo. Moving in for intercept. Bre’kas, give me lock.”
Griogill’s backseater muttered something, and a target lock appeared on the far torpedo as Runoff 1, their previous Drill Sergeants, dashed by in a hard burn and blazed away at their own target.
“Right. We can do this. We can do this. No fear.” The rookie muttered as the sight of her friends in Runoff 3 being turned to vapor echoed in her mind. “I can do this.”
The target locked. She fired. The torpedo detonated.
A clock ticked down.
//////////
“Mark in four.”
//////////
The Heavy Cruiser loomed closer as the comparatively tiny Patrol Carrier spat its defiance in the form of two Interceptors dancing between the stars.
As a pair of torpedoes detonated, four more were launched, the anti-shipping weapons built for this specific purpose. Destroying disabled vessels.
And so the last two remaining Interceptors on CAP dove into the fray, risking themselves against an ever approaching AA bubble in order to save their ship.
A clock ticked down.
//////////
“Mark in three.”
//////////
All Cookie could do was stare and push his meager aerospace fighter further on its nuclear thrusters as shimmering dots of torpedoes lanced out from the Heavy Cruiser attacking his new home.
He pushed his hand forward and felt the throttle once more push back against him, the lever pushed all the way past safe thrust and into the further setting on his console.
The Interceptor was fast. It didn’t feel fast enough.
And so he spoke the words he spoke once before, back when he’d had to listen to his backseater’s screams of pain and the rush of wind after shrapnel pierced his fuselage, and the hospital was so, so far away.
Father, I pray that you will not hide your face from me. Whenever I pray, Lord please hear me and answer me speedily in Jesus' name. God, I pray that you will grant me speed through your help.
A clock ticked down.
//////////
“Mark in two.”
//////////
The Heavy Cruiser shifted, engine flaring and it began to close the range. A single disabled ship on emergency RCS thrusters and a pair of Aerospace fighters was nothing it would have to deal with.
It fired a third spread of torpedoes.
A clock ticked down.
//////////
They took the bait. Roshal thought with a vicious grin.
“Mark in one.” She paused, “Execute.”
In an instant, power flowed through the ship, emergency lights flickered off as the burning red boarding lights returned their fiery glow. The entire ship shook as the main thruster came back online, and capacitors began to charge for maneuvers.
“Hard burn, full thrusters, right, on my mark.” Roshal watched as the Heavy Cruiser began to react to her movements, the enemy ship was alive, you needed to roll to broadsides to begin bombardment, come on come on…
Roshal watched as a torpedo flickered out of existence, Runoff 4 gaining another kill.
Come on, dammit, you don’t get put in charge of a Heavy Cruiser without- THERE!
The Heavy Cruiser flinched, turning her bow away from the no longer stricken vessel, preparing for broadside.
The Captain’s grin showed more teeth than smile. “Execute! Full right thrust!”
“Full right thrust! Aye ma’am aye!” Her helmswoman called out as maneuvering thrusters dead cold roared to life and physically threw the vessel to the side, causing everyone not strapped in on the bridge to rock as a barrage of fire flew past their former location, manual targeting systems in play since the automatic systems would still be getting warmed up.
“Full thrust forward, prepare to divert all power to secondary weapons. Weapons, give me a firing solution.” Roshal commanded, hand raised and pointed at the enemy’s display as if she were commanding from a tall ship.
A chant of “Aye ma’am aye” flowed out across the bridge as the weaponsmistress was silent before calling out. “Port side is up to 45% secondary fires and 32% point defense. That’ll be our best bet.”
Roshal nodded. “Make it so. Target their main weapons. Helm, get us that facing.”
“Ma’am. We’re getting a call from Runoff 3. They are entering the AO and are asking for a target.”
Roshal smiled, “Weapons, shift target. Aim for the anti-aerospace systems. Let’s give Runoff 3 the opening they need.”
A clock ticked down.
//////////
“Cookie, we’ve got a targeting path.” Milk called forward. “Putting it up on your HUD.”
“One second… I’ve got it. Moving to comply. Did the Captain give us a plan?” her front seater replied, causing her stomach to do funny things as the Aerospace Fighter maneuvered while under high thrust.
“Something like that. She asked for a munitions report and specifically about our anti-shipping weapon.”
Cookie paused.
“Ah.” He finally said.
“Yeah.” She replied.
“Well, let’s hope they’re able to open us up to a window of opportunity. Or this will be a short charge.”
“Not our place to question why.”
“Just our place to do and die.”
Time to target… three minutes.
Into the valley of Death, rode the six hundred.
A clock ticked down.
//////////
Two vessels, three Aerospace fighters, one chance.
Six minutes of power remained. All actors took their places on the stage.
One hundred kilometers, close enough to check the weld quality of hull seams, the two ships danced across from each other. Maneuvering.
Five minutes of power remained.
The Karcharidon Heavy Cruiser rolled itself trying to keep the vulnerable top deck away from the Patrol Carrier’s presumably still working main gun as Roshal’s vessel jumped to the side. Thrusters roared.
Four minutes of power remained.
Runoff 1 and 4 shot towards their formerly separated comrade, forming up behind them in a wedge. The trio climbed towards the sun as their captain continued to chase and harass the Karcharidon.
Three minutes of power remained.
Roshal spoke. The lances of her vessel fired. Laser blasts carved across the hull of the enemy ship as it rolled.
The rolling ceased. A helmswoman swore as a full broadside caught the Patrol Carrier in the flank. The port hangar pod was ruined, armor shattered and all inside exposed to hard vacuum. Those who could scream died the fastest. The Interceptors had their opening.
Two minutes of power remained.
Silent wings swept through vacuum as three Interceptors began their dive, their formerly speedy arrowhead shape giving way to an inverted t as their wings swept out for stability, the ASF dove and dove and dove.
Five Kilometers away.
The range was too wide. They had one shot. It had to be perfect.
One minute of power remained.
The Into Harm’s Way spat its defiance into the world, limited power drained to give her pilots a seconds more of time.
30 seconds of power remained.
Three Kilometers.
Hard Lock! Milk shouted from the back seat of Runoff 3. Cookie was silent. The range was still too wide.
15 seconds of power remained.
Two Kilometers.
The Karcharidon seemingly began to roll before the Patrol Carrier once more fired, its last remaining weapons spouting their defiance against the world. Deep in engineering, systems began to blow, wires that replaced fuses sparked power and delicate circuit boards shorted out into useless scrap.
The lights went out.
No power remained.
Roshal, in her head, began to count down as lances of light began to sweep across her ship. Damage control did what they could, but the beams began to cut like an overly enthusiastic shipbreaker.
Five.
One Kilometer.
Four.
Cookie’s thumb depressed the firing stud as the Interceptor screamed at him.
Three.
The ASF launched its deadly payload.
Two.
Three Interceptors pulled back hard on their sticks to avoid colliding with the deck.
One.
The thruster of the anti-shipping missile roared as it rocketed the point blank aerospace distance to target.
Impact.
The armor piercing tip of the missile punched into the upper deck plating of the Heavy Cruiser, classified alloys allowing it to pierce into the armored plating just enough to allow the shaped charge to open up a hole as momentum kept the weapon moving.
Within the frame of a single second, the warhead of the missile had entered the ship and, before the alarms even had time to sound, detonated.
A new sun appeared in the void for a split second as a plasma-fusion warhead detonated inside the Karcharidon heavy cruiser’s hull.
//////////
Roshal allowed herself to breathe a sigh of relief inside her head as the emergency power lights flickered overhead and the gravity ever so slightly lightened. What was left of their sensor arrays showed the enemy vessel powering down. “Engineering. Good work, your 10 minutes were just what she needed.” She called out, picking up the ship phone.
There was no answer from engineering.
She signed externally before pointing at one of the marines guarding the bridge, “Find a crewmate in a void suit. I have need of runners.” The marine clasped a fist to her chest before leaving to execute her captain’s commands. “Comms, do we have any contact with the engineering teams on the pirate hulk?”
The Comms officer held up a hand, Roshal waited, “No, ma’am. We aren’t getting- wait. We’ve got visual on flashing lights from the hull. Apparently, something shorted, so they’re having to rebuild broadcast arrays. They can receive just fine, though.”
“Good, once we can maneuver, bring us broadside of them. What’s the status of the merchant fleet?”
Navigation spoke up now, “Still heading for the Jump Point. Should we send the recall order?”
“Not yet, we are still unsure if the area is safe. If we have any sensors remaining, begin sca-”
The mentioned sensor technician interrupted Captain Roshal, “Ma’am, new contact, signature unknown. Just jumped in from outside the starlane!”
“Give me details. Course, range, and speed?” She demanded.
“Signal confused, can’t get a lock!” Navigation called out, “Can’t tell if confusion’s from them or us.”
Not another one… Roshal sighed, “All forces prepa-”
“Ma’am, we’re being hailed.” Communications called out.
“On squawk.”
“This is Captain Al’yosha Cal’rada of Her Imperial Majesty’s Ship Spear of the Knyaginya, responding to Merchant vessel distress calls. Imperial Patrol Carrier, are you in need of assistance at this time?”
Roshal recognized the voice. A junior officer from her days in the Navy and a fellow Sevastutavan. The memory of the fresh faced girl when she’d joined her as an Ensign straight of the Naval Academy flashed before her eyes. “Captain Cal’rada. Your timing is impeccable as always.”
“Admiral?” Roshal could hear the shock in her old protege’s voice.
“That’s Captain, now, Al’yosha. I require your aid in ensuring the disabled vessel still glowing from an ASM strike remains disabled along with Search and Rescue teams for our sister Carrier.
“Whatever you want, you’ll have it, Admiral_… Helm! All ahead flank and plot course to intercept. Launch gunships and prepare to deploy Bluejackets. We’ll test our _Orcas’ teeth today!”
The line cut out a moment later than it should have, and Roshal nodded in approval.
“Captain, I still don’t have a read on new contact. What is it?” Sensors asked.
“A Drep’na inspired vision, come to life.” Roshal watched, feeling an odd sort of parental pride as Al’yosha’s experimental warship began closing the distance towards the Karcharidon at breakneck speeds. “A swift sailing vessel and ten carriage guns…” Roshal murmured the line from an old Vaasconian poem from the ancient Age of Sail. She had heard Cal’rada had succeeded in petitioning the Navy to build her dream-ship, burning every favor and passing out favors to any and everyone to see the program through. Now, there she was, standing on the bridge bearing down on a ship twice her size, but if the rumors were true, only half her guns.
“Ma’am, contact is still not resolving, but IFF confirms Imperial Navy designation. An Akula Class Attack Transport. I’ve… I’ve never even heard of this class.”
“Perhaps we shall hear of them more in the future. Fortune favors the active.”
“Contact is disgorging multiple signals, moving at speeds consistent with aerospace assets.”
“That is our signal we may disengage. Comms, inform the merchant fleet that the area is secure and to begin refueling procedures. Helm, get us alongside the pirate hulk, we have people to recover. Marine, get me a runner to the MP’s, we shall need the port hangar prepared for an old tradition the Navy has regarding pirate prisoners…” Roshal commanded. The fight was over, it was time to begin the cleanup.
//////////
So… that took a while. Sorry about that.
Turns out when a combination of writer’s block, decision paralysis and LIFE hits you over the head, it becomes a touch difficult to get your shit together long enough to write something down.
On the plus side, we are out of the “unplanned bits” and right back into the parts I have brainstormed, so I won’t be staring at a screen trying to think how to make things connect as much anymore. On the other hand, that means we are now entering the epilogue of book 1 of Top Lasgun.
Don’t worry, the story isn’t ending, I’ve got “three” books plotted out in my head, so we’ll see how that shakes out, but for the most part, this is where I start wrapping up plot threads, laying down threads for what comes next, and all that other good stuff.
So yeah, next chapter is going to involve everyone wrapping up what happened here, some fun little Military Justice, and potentially a bunch of plot. Also, I’m planning on starting a “rewrite”/edited version of this to go up on AO3, so keep an eye out for that. Early installment weirdness is a bitch and I’m not proud of what the older stuff looked like.
Well, I hope you have a wonderful morning, afternoon or evening whenever you read this and I will see you next chapter.
[NEXT CHAPTER]

Wow! This turned out so long and was helpful to write when I was feeling really really awful an hour ago. Here it goes:
I’ve been following this page and a few others once I saw information on video game addiction a few months ago. I saw my family and step-son in so many of the stories, my heart and mind was transformed. I don’t feel alone and my son is certainly not alone in his struggles. To be honest I’m scared to start this new journey, and I’ll get to that more later.
I always knew something was different about my step-son’s gaming, and it’s been a struggle since 2-3 years old based on what his Dad has told me. Here’s a bit of a background of our family dynamic.
Jake had Pete when he was 19 and never had a relationship with Mom, Kate. They split custody and it was evident she was using hard drugs and lost full custody of Pete when he was 9. A lot of his time with Mom was spent on an iPad without regulation as early as 2. Routines, locations, and security was not always present. It’s tough to think about the severity of what Pete experienced. At this time school was difficult, and Pete was diagnosed with ADHD. Meds helped a lot, and once Jake had full custody he was all about routine routine routine, healthy foods, activities, table top games nightly, camping, you name it! His passion for being a single Dad to Pete is why I ultimately fell in love with him two years later. When I started hanging out I noticed Pete playing a lot of games and not being the sporty type or hanging out with friends. By this point he was playing Minecraft after school and on the weekends pretty regularly. Jake was a good video game police officer and we still had a ton of time together as a new family. Pete is kind and very easy going and we started a great relationship fairly quickly. Jake and I agreed and often disagreed about the severity of Pete’s gaming, but we would come together and set some house rules and go on with life. As soon as we got busy, Pete would dive deep into computer games and grades would drop. We would see feces in his underwater, lack of hygiene, not getting up, laptop under his pillow, exc. Almost like clockwork by spring break, we’d have this intense struggle and Pete would pull it together for the semester at the very last minute. Pete is gifted and was always in accelerated math and science glasses, but was able to do the bare minimum without studying. Repeat for the next 3 years. Fast forward to High School he went to a smaller school in a new town and actually saw more independence. He made a friend, Dan who’s still around and is everything you’d hope a friend would be to your kid. Their bond is awesome. We’d still have to police but things were getting easier and we weren’t seeing those intense “downs” like we were in elementary and middle school. I think he was more confident and even his teachers said he was crushing it! The summer was tough and we tried to fill his time up but nothing seemed to interest him. If he hung out with friends and was hygienic we just made nudges about time limits. Thinking back I think there was one more period where we found feces in his underwater end of Senior year and gaming picked up, probably because we dropped our guard.
Summer before college I got him set up with an awesome outdoor job working on a zipline/climbing course and he thrived in Pete’s type of way. Climbing is one of the only things I can suggest to Pete and he’ll usually show some interest. Confident, peppy, excited, getting himself up. Always going back to games everyday but maintaining work, a friendship, and a little independence is what we wanted so left him alone most of the home time. We nudged him into a climbing retreat as an incoming freshman to give him a head start making friends, and a clear head going into the dorms! Scary fun times, and thought it would help. Then we officially dropped him off. Wow, so many smiles and happy tears had by all. The light in his eyes and showing us around and saying how cool he felt it was probably the happiest day of our lives along with my wedding day. The day I read vows to Pete saying I’d be there forever and unconditionally. It felt like my son was ready for his future. As we were driving away Pete said his friend gave him a gaming computer for free and he was at the tech center getting it hooked up to the campus internet. Dun dun dun.
Today he’s 2 weeks into his first summer break after a year of college. Yikes. Things are not great and that’s why I am here.
It was Spring Break (here comes the pattern) and Pete was gaming, not verbally making much sense, unhygienic, lost weight, gaming non stop. He almost missed his 2 hour bus ride back to school and that’s when we snapped. The typical what the hell is going on, you’re out of control. Pete usually cries when this happens because he knows the gig is up. Eventually he told us the truth, he failed two classes his first semester (told us winter break he did fine) and is now on track to fail another science and lab. WHAT!! We drove out there the next day to meet with the dean because he told us he was on probation and we wanted to support him. We were so worried. It turns out he hasn’t had any social interaction other than winter and spring break and spent his days alone in his dorm. He didn’t even seem like himself it was so scary. We get there and we spent two days walking, going out to eat, the typical “you got this buddy” “just stop playing games for a bit” and insert the other 100 life sayings you want to say to your kid that sound so annoying to them. We can’t help it. We love him. He was like yep I got this, nodded through all of it and we left. Three weeks later we noticed on the phone things were sounding off again, and he confessed he hasn’t made up any of his work. His Dad got disappointed on the phone and Pete said he called the suicide hotline because he was getting “yelled” at. I was standing there, he wasn’t yelling but I’m sure just the sheer reality of the situation got to him. We were heart broken, and at the same time angry. We couldn’t believe he was feeling this much anxiety and possibly depression. We always knew gaming was an escape and most likely due to his background, but this just seemed too much for anyone to handle. Again, he promised to limit himself. We checked in everyday for the last three weeks not with a nag but just, how’s it going. Did you set a timer today? Amazing that’s great you’re so close to being done!! Just trying to keep it super positive. We knew it was totally out of our control. He failed, and actually never made up the work his professor said he could over a month prior. He lied more.
We knew something had to change and we were preparing his return home. Can we do game quitter? Can we just put him right into a detox in our home? Family therapy? Healthy gamer? Olganon? We wanted to smash his computer trust me, if it weren’t for my job I wouldn’t have wifi because my stomach is in knots. But, we decided relationship first, let him set his own limits (with our house rules) and really try to get to the root cause of anxiety and depression. We had good convos, we let him tell us how it’s basically all of our fault because of the pressure, no judgement. We communicated with notes and texts sometimes when things were getting frustrating. He skirted around the 3 hour daily limit every possible way. All he wants to do is play video games, watch to tube of video games, talk to “friends” on discord about games, play D&D online, or draw D&D characters. It’s just too much, it’s impossible to limit. He always had an excuse for a screen and we were still seeing 10+ hours a day on screens. He told us he’s feeling crappier everyday by us, and honestly we’re feeling freakin awful and exhausted too.
What now? Nothing. I’m literally doing nothing anymore starting today. I can’t stop crying. He won’t do his own research into gaming addiction and does not want to change. Today we just said ya know what, this isn’t working so we’ll just figure something out in a few weeks. At this very moment he’s going on hour 9 of gaming straight. Knowing how much we tried as a family to limit this for the last few weeks. I’m still angry and it’s hard to look at him right now. It feels personal to me? I know it isn’t, but it just feels that way.
Therapy!? Yep. We tried. Back when he was in middle school and high school. Didn’t want to go back and didn’t talk much. He got his own therapist at school per the deans suggestion and he goes but the one session he’s had at home, he got off within 30 minutes and said “he didn’t have much to talk about with her” and he’ll see her maybe once a month back at school. We are doing healthy gamer coaching as parents, but he is refusing to sign up for coaching on his end. My guess is the name alone. The risk of losing games is not something he’d ever discuss right now. I swore up and down they won’t make him get rid of games lol! Did not work.
What’s dad doing? Half. Literally half at all times we make a plan at night and in the morning and check in with each other about it all day long. It’s so exhausting and Jake is just ready to do whatever it takes at this point as well. He’s having the same struggles as I am and is 100% convinced it’s an addiction and has listened to a lot of podcasts exc.
My new plan…. Because I have to have “something” or I might blow up. Now I have to let natural consequences take the lead. He doesn’t have a license, because he couldn’t pick up driving skills with how his brain is on games. We tried teaching him for two years and it was honestly dangerous sometimes after a “bender. He asked me to go tomorrow and after 9 hours I’m just going to say I’d feel more comfortable if he went to driving school and he can pay with the money he earns this summer. It j=is just not safe, why does he deserve to take my car and put me in an unsafe position? I don't have to allow that... but it feels like I am still the bad guy. Looking forward, IF he fails college....when he is home he cannot have our wifi, will contribute to groceries, phone bill, and rent. We live in a rural area and without a car he can’t work. I will not be driving a 20 year old to and from work due to his brain on games. It feels wrong. Maybe he can’t support his habit without working. That’s all the “what ifs” but rarely does life go exactly how you picture it. We will just continue to get creative and roll with it.
Does anyone have any advice on how to not enable but also let them be in charge of their own destiny? Not saying anything or giving him a sad look feels impossible but I did it tonight. J was able to pretend it did not bother me that he’s been on there forever. I think I can keep that up? But I also don’t want to enable him.
My family is hurting so much. So many hugs to anyone who struggled and is currently struggling. Same to the parents who have that knot that won’t go away. Thanks for reading

Ladies I am terribly missing my man (we're in ldr) and the desperation to hold, squish and kiss him has been so much that im finding it difficult to study since morning and his pictures havent provided with much respite. I just want to do something of this mushy feeling that im experiencing and watching a romantic movie or drama isnt the kind of commitment i can afford right now.
Help ya girl out and write away your fave, lovey-dovey memory with your partner, or moments where you felt the most love for them/by them

Tideman... the most hyped problem in the entire course of CS50x.
I tried to do it... and I could complete it relatively faster than others, but it was challenging nonetheless. Also, a very important note:
You can take as much time as you want, you can even solve Runoff (though I haven't looked at it till now). Only one thing: please DON'T think that some XYZ guy solving Tideman within 7 hours is implying that you need to do it too. Obviously not. Take your time...
This pset is challenging but it can even open an amateur coder's mind. I understood what Graphs are from this very pset.

Preliminaries

I want to say, understand structs very carefully if you have coded in Java and are learning C. For those who are getting to know about these algs recenty (applies to Python coders too), understand it thoroughly first. Also, if possible, write the algs which you are confused about. Like, try to use some website or stuff, or even ChatGPT (what I am about to say is reasonable) to understand how the alg works (NO DIRECT CODE), like certain analogies.
Anyway, the things that are hard in various algs are as follows:

• Linear Search: That return false thing which David Sir said in the lecture.
• Binary Search: Understanding how the high and low indexes are adjusted. The way I like to explain binary search (without using recursion) is using some thumb pins attached on a board like an array and keeping a rubberband stretched between the high and low indexes. That way, when you'll try to change the index, you'll just think to yourself, "I'm keeping the high/low index jussst beyond the middle position." Try it/visualize it for yourself.
  
• Selection Sort: The exact thing we use when we did those ascending-descending order problems in the first grade... anyway... understanding why the inner loop starts from the next index is important. Also, people do forget to swap after everything, which shouldn't be forgotten.
  
• Bubble Sort: Bubbble Sort can be done more efficiently by tweaking with the test condition in the inner loop... but we don't need to focus on that for now. Just remember that you need to insert the reverse of the condition you are trying to fulfill. For example, for sorting in ascending order, you need to check if the previous element is, in some way, shape, or form, greater than the next element.
  
• Merge Sort: Ok, I am still confused regarding this one, but one way we can approach that is to understand how merging works. You need to write a program where two arrays are merged in ascending/descending order into one array. The two arrays need to be random. You can find examples for this problem on the internet, but please don't look at the solutions. You CAN USE your loops while merging the two arrays, but merging really doesn't require any other sorting algorithm, just two counters (a hint).
  

Before understanding Tideman, please have a strong grasp in any of the sorting algs. Understand why the conditional is there, because the conditions will be different for this problem. You can even solve the hardest sorts if you know what the conditionals do in your sorting alg.
Also, recursion is really worth learning independently. Solve some problems you are trying to solve using iteration. Try to check whether something is a prime number using recusion. Try to do anything you have solved/can solve using iteration.
Recursion is just mathematical induction (for those who know maths): it's just dominoes falling. You need to check what will happen when the first domino or the last domino will fall (base case), and ensure that if a domino m is falling, ensure that the domino m+1 is falling too (recusive case).
Please watch the shorts and section for this week, in case you don't understand anything. Check for the materials you don't understand.
Also, PLEASE do the additional practice problems of week 3. There's no check50 or submit50 for these problems, you can check the results for yourself. Even as a experienced programmer, I'd recommend taking these baby-steps before trying to attempt Tideman. See, even if you did Java or Python before and you feel like finding the max value or making a WHOLE MENU is tiring, these are very easy problems, which are important for solving the later ones. For example, I was thinking, "Why just take the value? Why not take the index?" Then when I was trying to solve the Plurality pset, I realized that they were trying to tell us that there can be multiple winners... anyway...

Tideman

So, you've completed Sort, Plurality and, possibly, even Runoff and all the other psets... and you're trying to attempt this.
1) Open the walkthrough video/the pset page.
2) For newcomers, write (about) all the variables and their functions “in brief”. Or just look at the distribution code or the pset page. These are very essential, and you’ll have to refer to them frequently.
3) When the walkthrough video comes to the functions part, we’ll start focusing on THAT FUNCTION only. As David Sir said throughout the course till now, abstraction is the key. Like, think of only that part of the main method where a particular function has been implemented, how that part has been treated... Just don't think about the other functions you’ll have to do. JUST do that part and return accordingly. Write pseudocode like you’ve done throughout the course.
4) If you want, you can reuse the codes you’ve written…
Let's talk about what we can do in the individual functions:

• For the vote function, you will probably remember the discussion on linear search. Implement that, but do understand what are the uses of those parameters.
• For the record_preferences function, I would recommend you to use a pen-and-paper to understand the situation, visually. Also, understand that you are trying to check who wins between two candidates, AND THEN determine the preference. Also, i over j.
• For the add_pairs function, you will obviously have to run an inner loop and an outer loop for traversing through the array. One more thing: remember the technique you did in your previous functions.
• For the sort_pairs function, you’ll be happy to hear that you can quite literally write abc a[i] = b, where b is a struct of abc. You won't need to write different variables like abc a[i].smile = b.smile and make your code longer (where smile is a variable in struct abc).
• (Before attempting the lock_pairs function, read this thing I’ve got from the Discord server)
• For the lock_pairs function, you are free to make any other recursive function you want in the code. Think of the parameters it will take. You’ll understand the parameters if you understand all the base cases. The return type will obviously be bool or int (you may take anything you want though). One thing to note though: search through the destination part thoroughly, using a loop in the recursive function. If necessary, you can write a recursive call in the loop too. Remember that base case is written first and then your main part of the code: the loop part. In this function, it's very important not to get overwhelmed. Recursion will do the teeny-tiny details for you if you write the base case properly. So, have that “leap of faith,” and search through and step into and through and step into and through and step into… you get the idea right?
• By the way, how will you differentiate between what you’ve already traversed and what you have not traversed? After all, you only have a bool array with true and false as the only acceptable values. Make changes in the lock_pairs and in the recursive function accordingly. Also, lock_pairs function is in itself, also, not unimportant, as it also does some pretty eccentric stuff too. Like, you never try to check if you have fit another end of the pipe perfectly without checking if the first end is already fit.
• For the print_winners function, atleast I would rather use statements like break and continue. Consult the Internet if these are confusing for you. Btw, labelled loops don't exist in C. I’m heavily disappointed. Alternatively, you can use variables declared outside the outer loop to note the index(es). Also, you’ll have to use a flag coupled with those two statements or those variables. “For this problem, we can assume that there is one source.” Therefore, as soon as you print your stuff, just wait no more. (This was just an efficiency rant btw, this function is actually easy if done without any help from this post; just spoiler-tagged it so that you don't get overwhelmed.)

Personal Opinions

If you haven't done the problem, don't read the section, you’ll lose interest/get confused.
This is probably one of the best examples of backtracking I’ve EVER SEEN. I could never do backtracking until now. This feels more like an intermediate-level competitive programming problem… except the fact that the problem is explained a lot. I myself neither implemented graphs nor backtracking before, so I was… confused while doing locked_pairs. Also, I’m very very bad at competitive programming, please don't think like I’m some experienced developer or something,; I’m just an amateur guy doing big projects once in a while…
Anyway, it was an amazing problem. Anyone can learn a lot from this pset.

Hey you! Yes you, the one reading this message. I hope you like this message and here is a bit of information about me:
Who the hell I am?

• Healthcare assistant for learning dissabilities, my sleep schedule is variable, my work shifts are from 7 to 12 hours, either day or night.
• Future Graphic Designer (In a long future), I love it and I'm taking it as hobby right now. In love with art and every day learning a little more about it.
• Music lover. I listen to almost any genre. I am ready to find the music that is missing in my life and that I want to play every day.
• I'm a bit at a gamer, but I'm not obsessed with it. Lately I'm mostly playing on Nintendo Switch
• I love movies, we can talk about many films. My favorite movies are The Godfather (both the first and the second one), Interestellar, The Green Knight, Grand Hotel Budapest, Before Sunrise and Princess Mononoke ( I have more haha)
• My family says I'm special. I don't know if they say it in a good way or a bad way, but I'm happy with it.
• I Iove reading, it allows me to experience and live many different lives. My favorite book is Name of the Wind.
• Extension of the previous point: Basically I read any book that catches me interest. (Fantasy, fiction, poetry, etc.)
• I love learning new things, exploring new ideas and figuring out how everything works in detail.
• I'm learning to draw (Right now I really suck) and taking up writing again.
• Future writer of a book that I don't even know what it will be about, maybe written in prose? maybe in verse?
• I'm a bit introvert, but once I feel confidence, you won't even notice it.
• I don't mind exchanging pictures if we both want to do it.
• If you wish I can make a powerpoint presentation about me. I do not promise that it will be serious

Have you decided to talk to me yet? Maybe these opinions will help you
He is a really handsome boy - My grandmother
My brother is special and crazy, don't talk to him. - My brother
I want to make him mine, break up after a few months and write a song about him. – Taylor Swift
I wanted him as my padawan, but they imposed Anakin Skywalker on me and you know how it ended. - Obi Wan Kenobi
He was going to be the model I used for my sculpture David, but he's neither as handsome nor as strong. - Michelangelo
I was about to select him to play Sebastian in La La Land, but he can't sing well or play the piano, Emma Stone preferred him to Ryan Gosling. - Damien Chazelle (La la land's Director)
I turned down Ted Mosby for so many years because I waited for him, he never came and in the end I had to stay with Mosby. - Robin Scherbatsky
I'd like to see him die in one of my movies - Quentin Tarantino
He has a good musical taste and at least he does not put the music to full volume - My neighbor
If you think we can get along, do not hesitate to send me a message or a chat invitation, you are pretty welcome. The chatting app that I use most now is Discord, but I can use any other app if you prefer or just chat on reddit. Please include some information about yourself in your message. If you're not sure how to break the ice, ~throw a iceberg at me~ include an interesting question you've been thinking about lately, a song you love or any interesting thing, if you can't think about a question, this is my question for you, What would be the last song you would listen to if you knew today was your last day on earth?

When parents stop me in public to wonder how their child might grow up to be a metaphysical weather reporter, I offer the same tip – have them begin writing at an early age and prepare to keep writing until they achieve a state of spiritual enlightenment. If all goes as planned, the kid will be asked to trod a road less traveled – or better still, one not traveled at all, less a road than a shot in the dark, after which their lives will be a complete and utter nightmare until they take their final breath, no matter how they behaved prior to enlightenment, no matter how they act after. They will suffer in ways literally unimaginable, which will make their suffering and sense of loss self-encrypted – the worst suffering is one other humans can never comprehend, nor will they seek to understand. When they die, suffering will deliver the eulogy about what life meant.
I know the parents want more than that – a helping hand, a leg up on the competition – so I try to oblige. Here’s a tip – many years into this, your son or daughter will notice that the loop-like phase of the hyperform, characterized by repetition and an economy of human attention – will seem persistently to backslide. They will seem to be on the edge of transformation – having, for instance, ceased attacking the body or promoting the war life – but then the next day or only a few moments later, they will return to the troublesome, irksome, delusional behavior of before, like there was nothing to learn and nothing to lose. Those hyperreal loops will seem like they’re finally, at last, seeing the light, but then something changes, ambiguity appears, and in no time, one’s whole relationship to the hyperreal will revert to the suffering it knew, suffer some more.
This loop-oriented behavior – phenomenologies of cruelty trying to find relief, always seeming to fail – will create new opportunities for epic discontent for the budding metaphysical weather reporter on the receiving end of such treatment. To soften the torment, I find it helpful to notice that the loops-that-never-learn are not trying to be cruel or obstinate. Rather, they have settled into a motif of using the phenomenology of torment to grow through, and when they get to the point of achieving that growth, they transform into something new, even as new loops resume the performance of the phenomenology of torment. The image, then, is not of loops that don’t learn but of a cascade of loops in a state of transformation, with the old loops quietly evolving into new forms, moving on, and new loops arriving from somewhere else to take their place.
You can see how easy it would be to develop the wrong impression about loops and their will to cause harm. Loops cause harm – this is my theory – because that is the way they are likely to be noticed, and being noticed is what some loops seek in order to transform. At this point in the friendly interaction, the parents of all those prospective metaphysical weather reporters might be writing things down, so I define a few terms for them. Loops are recurring phenomena that tend to be noticed, sometimes proliferate in a lived environment, other times congregate around an individual. They can be mathematically modeled. They appear in the mind, in the body, as an observation seemingly of the outer world. To comprehend how loops are probabilistic forms of life, one must see them as nonmaterial, assign their existence to a kind of environmental will.
Loops are fields of potential adapting to a rocky-bodied planetoid and its geologic paradigm – human sentience is crucial to the way this adaptation unfolds. In a sense, they are aspects of the contact experience, in which natural qualities like individuation, sequence, the behavior of mass and energy, their relation to causality, the adjacency of human agency to it all – these qualities of life on earth are what the loops are trying to engage with. In other ways, the loops appear to be a part of earth-bound naturalism with their own evolutionary history and relation to human evolution. Picture the lights of marine species winking on and off in the midnight and abyssal zones of the ocean – loops may seem like very simple phenomena, but they are related to more complex forms that are difficult to understand, not least because they relate to time differently.
Yes, your little mister or miss back at home, watching videos and losing teeth, might want to be a metaphysical weather reporter for the kicks – all those freaky forms doing freaky things – but when sober analysis returns, we must remind ourselves that every observation of the hyperreal is going on both out there and in here – points to skull, stomach, genitals. Having a probabilistic form that exists outside of time interacting with one’s sense of consciousness based on knowing observations is not for the faint of heart. To be a metaphysical weather reporter is to court the unknown in ways that might confer not a single personal advantage, save for the benefits to the human project, its capacity for sustainability crossed with a timewise desire to know itself. Do I see this as true? Would I be a metaphysical weather reporter if I thought otherwise? Good day.
Afterthought: In summary, loops that seem to backslide into prior maladaptive behaviors may instead be other aspects of the hyperreal trying to use the same phenomenological pathways to seek transformation as the loops that came before. Knowing this, incorporating this into one’s observations, can make a substantial difference to one’s overall efficacy in both the real and the hyperreal characteristics of lived experience. To the extent that metaphysical weather reporters are like bridge conditions between worlds, like the corpus callosum between hemispheres of a singular mind, the way we conceive of loops is crucial to the whole.

Hi all
I’m tutoring a 5-year-old whose mum is English speaking and dad French speaking - living in the UK so the child is mainly speaking English. The main goal is to get his conversation skills up in French, but I’ve run out of ideas…
I’ve done all the basics (telling me about his day/weekend, describing a picture and I have to draw what he describes), anybody got any fun 1:1 ideas that don’t involve too much reading/writing?
TIA!

(continuation of part 3)
Since Fatal Calling is all about Cloud facing his past and his origins, Tifa’s musical theme is most appropriate for the ending cutscene. For all of these reasons, Tifa’s theme is absolutely appropriate for the conclusion of Fatal Calling. It makes a lot of sense then that once Cloud has finished revisiting the past and vanishes with the crystal to find his Promised Land, Tifa’s theme stops and Aerith’s theme begins.
There’s a lot to be said about Sephiroth in Fatal Calling. Sephiroth feeds off of despair, and deems Palamecia’s suffering inadequate: he seeks a much greater source of power than this realm. He states that Palamecia isn’t “the world that was promised to [him]”, referencing his desire to become the god of his core world of FFVII:

“Sephiroth: Melding with the planet, I will cease to exist as I am now only to be reborn as a ‘god’ to rule over every soul” (FFVII OG, disk 1, chapter 25).

Sephiroth’s line “Now, let us return [Cloud]. Back to the Promised Land” reveals he wants to return to their shared core world of FFVII, like we established in our review of the Remake timelines theory (see section “I. a) vii.”). Sephiroth wants to go back to FFVII and modify the OG timeline to achieve his evil goals. This is his ideal scenario, his place of complete happiness: his desired Promised Land. Fatal Calling is setting up Sephiroth’s plans for Remake. In fact, the after-credits scene wherein Sephiroth stands in Nibelheim as it burns confirms his return to the FFVII OG timeline.
However, he isn’t the only one returning. Now that Cloud has revisited his past in Fatal Calling, he’s ready to reach his Promised Land. After Sephiroth’s after-credits scene, the OG FFVII title and logo turn into the FFVII Remake title and logo, indicating a shift: we are now officially in the Remakeera or world. Cloud and Sephiroth disappeared at the end of Fatal Calling, and now the game is telling us where they’ve gone. Combined with Hamaguchi’s recommendation that players complete the collaboration event before playing Remake, I think this is a solid indication that the Cloud and Sephiroth we see in this collaboration event are those we encounter in the Remake world. Once the switch to Remake occurs, Aerith’s theme returns. This communicates that she is indeed —as we’ve proven countless times already— Cloud’s Promised Land. But it also conveys her importance to the story of Remake. Scenario writer Nojima confirmed this:

“Aerith's the most important character in the remake so we paid special attention to her lines” (FFVII Remake Ultimania, section 08 “Secrets”, “Development Staff Interviews, Part 2: Tetsuya Nomura, Yoshinori Kitase, Kazushige Nojima”, page 744).

Aerith was already important to OG, so what could’ve motivated Nojima to state her importance to Remake? Could it be that she’s even more important in the latter than she was in the former? In what way?
That was the collaboration! Before we move on from MFF x FFVII Remake entirely though, let’s glean some more relevant information from some of the collaboration’s promotional material and special features.
III. e) iii. Promotional Material and Special Features
Two particular pieces of promotional material for this collaboration stick out to me as extremely relevant. The first is a promotion for a new summons batch in the Mobius FF game, created in honor of the collaboration.
MFF x FFVII Remake Summons Batch Cloud Promo
The summons batch contains three FFVII Remake-themed cards, including a Cloud card. As you can see, this promo reads “Who awaits in the Promised Land?” under Cloud’s picture.
The second is a promotion of an Aerith and summons and an Aerith Job Card (in MFF, Job Cards allow a character to embody an archetype or another character, giving them certain physical traits, clothing, weapons and abilities):
MFF x FFVII Remake Aerith Summons and Job Card Promo
I couldn’t find this picture in English, but the text relevant to us translates to:

“Midgar's Flower Vendor Summons
‘I'm searching for you. I want to meet… you.’
The witch protects the planet, imbues it with power, and leads to the Promised Land.”

A few things here. First, Aerith is referenced by name, and we see a picture of her in her famous praying pose. Secondly, both Cloud and Aerith’s images are attached to the notion of the Promised Land. Cloud’s card asks who awaits there, and Aerith’s evokes a guiding role, as though in response. Thirdly, both Cloud and Aerith are attached to the notion of searching: Cloud searches for the Promised Land and whomever awaits there, and Aerith searches for Cloud’s true self. Speaking of which, the promo also includes parts of Aerith’s famous gondola date quote from OG:

“Aeris: I'm searching for you.
Cloud: …?
Aeris: I want to meet you.
Cloud: But I'm right here.
Aeris: I know, I know... what I mean is... I want to meet... you” (disk 1 chapter 24).

In case you’re wondering about the lady in Aerith’s clothes on the left-hand side, that’s Meia, a character in MFF. She is the “witch” being referred to in the promotional material. She’s often called the Azure Witch. Meia is wearing Aerith’s clothes because a Meia-type Job Card called “Flower Girl of Midgar” was created in honor of the MFF x FFVII Remake collaboration:
MFF x FFVII Remake \"Flower Girl of Midgar\" Job Card
There’s even an Aerith outfit you can have Echo wear, and it appears with Wol’s Cloud outfit in the promotional picture:
MFF x FFVII Remake Echo's Aerith Outfit and Wol's Cloud Outfit
To be fair, Tifa also appears in one of these summons promos. However, unlike Aerith’s, her appearance doesn’t reference the Promised Land or her version of the gondola date. She is not presented in connection to Cloud at all. On top of that, while the Aerith and Cloud outfits are promoted together, Tifa is paired with Vincent in the promotional image:
MFF x FFVII Remake Summons Promo Tifa and Vincent
This is hardly indicative of Cloti content in the event collaboration or in Remake.
III. e) iv. Cloud’s Promised Land
All in all, the collaboration tells the story of Cloud searching for his Promised Land, just as post-OG Cloud has been shown doing for years and years of canon SE content. Cloud is searching for Aerith in the MFF x FFVII Remake collaboration, just like he was in FFT and DFF, and just like he was shown doing in the 30th FF Anniversary Exposition. This is nothing new. However, the collaboration informs us that this mission to be reunited with Aerith is what leads Cloud to enter the world of Remake.
Echo noted that people obtain the Promised Land they deserve rather than the one they want. What does Cloud deserve? I believe the answer is: another chance at saving Aerith.
Cloud needs to start over, from the top. He needs to go back to the very moment he and Avalanche arrived at mako reactor 1 to bomb it. He needs to return to the beginning of the OG game. He needs a redo, a fix-it, another shot at happiness; a remake.

IV. The Hidden Plot Point: Mission Theory

a) Thesis
Here lies the heart of my theory. My dear Cleriths, Sephiroth isn’t the only one who travelled back in time to undo destiny and create a reality where things go his way: Remake is also —I would even say primarily— Cloud’s chance to free Aerith from her fate, save her life and secure his shot at happiness with her. That’s why he experiences MOTFs in Remake: he’s done FFVII before and now he’s back, although with only fragments of his memories from OG, to save Aerith. That’s why his triggers all involve Aerith: he doesn’t consciously remember anything from OG, but his grief over Aerith is so strong that it rises from his subconsciousness at the slightest trigger.
In Remake, Cloud remembers some but not all elements of the OG timeline (MOTFs), and it appears he only remembers the most important things: all his MOTFs revolve around Aerith and her fate. Our theory explains why Aerith triggers Cloud’s MOTFs in Remake quite perfectly: he traveled back in time to prevent Aerith’s death from happening. Remake Cloud remembers Aerith because, well, he knows her from OG. Post-OG Cloud has returned to the past to save Aerith, resulting in Remake. This is why seeing her in Remake triggers visions and memories of things that haven’t happened yet in Remake, but have already happened to post-OG Cloud. He recognizes her face on Loveless in Remake because seeing her face again is the whole reason he entered Remake in the first place. His visions of her death when they meet once more at the church, the spike of anxiety and grief as he watches her walk away from him, the constriction in his chest when she talks about doing everything in her power to help the planet… all of it, it’s all his memories of OG being jogged by things related to her death. What he’s forgotten from the OG timeline emerges in flashes of pain, images, memory and emotion. Remember that the language the devs used to describe these instances where Cloud reacts to Aerith in this way is always about “remembering” or “recognizing”; Cloud has to have seen Aerith, known Aerith, loved Aerith, lost Aerith and felt the pain of living without Aerith before in order to recognize and remember these feelings. Think about it: this is the only thing that can explain Cloud’s extremely selective MOTFs and the fact that he has MOTFs at all.
The Remake trilogy is all about Cloud and Sephiroth stepping into the ring one more time, both ready to risk it all to get what they lost in the OG timeline. Sephiroth is hungry for destruction and godhood, while Cloud stands determined to save the love of his life. Fighting for their respective goals, the fated enemies enter a new battle in Remake, one to end the war, both needing to win this time after losing so horribly in OG. Now, it’s all or nothing. Sephiroth vying for the planet, and Cloud reaching out for Aerith.
Cloud’s back with a quest, one he can’t fail— it’s the most secret and important plot point of all. I call this the “Mission Theory”.
IV. b) Mission Theory Logistics
There are a few things that remain vague, so I’m going to use this section of the analysis to speculate on the logistics of my theory. We know very little about the hows of the timeline and multiverse shenanigans, so I’m going to hypothesize. However, this analysis is about the whys: so if you’re not interested in mechanical speculation on the logistics of time travel and multiverses, you can totally disregard this section and skip to section “V.”.
IV. b) i. Cloud the Time-Traveler?
It’s unclear whether Remake is the result of post-OG Cloud going back in time to try his hand at the OG timeline again, or the result of post-OG Cloud somehow informing OG Cloud that he must save Aerith this time around. It’s vague in the same way that we aren’t sure if Remake Aerith is post-OG Aerith or if she’s been informed by post-OG Aerith via her connection to the Lifestream as a Cetra. Though it doesn’t much matter how Cloud has memories of Aerith’s death in Remake, I personally think that Remake Cloud is a time-traveling post-OG Cloud. My explanation as to why might be a little confusing, so again, feel free to skip to section “V.”.
One must be able to communicate with the Lifestream in order to obtain knowledge of the future. This access can only be granted to the Cetra or to the souls of the deceased that compose the Lifestream itself. Since Cloud is not a Cetra, he cannot commune with the Lifestream while he is alive, meaning a deceased post-OG Cloud would not have been able to communicate his memories of the OG plot-line with a living OG Cloud. Therefore, the only way Remake Cloud could have knowledge of the future (manifested as MOTFs) would be that Remake Cloud is inhabited by his post-OG consciousness. Effectively, this is time-traveling.
Then comes the question of how Cloud was able to time-travel at all. I have what I consider a pretty solid hypothesis. The most interesting thing about the realm of Palamecia is that every FF character that’s ever appeared in the realm for a cameo died in their core world beforehand (spoilers for FFI, FFV, FFVI, FFX, FFXII, FFXIII, FFXV incoming). These characters include Tidus (FFX), Lightning (FFXIII), Garland (FFI), Sephiroth (FFVII), Gilgamesh (FFV), Vargas (FFVI), Gabranth (FFXII) and Ultros (FFXV). My interpretation of Palamecia serves at least partly as a directory for deceased souls that can’t simply fade. For instance, FFX’s Tidus actually came back to life to be with his love>! Yuna !! FFX!<. Of course, MFF x>! FFX !!FFX!< and FFX-2, just like MFF x FFVII Remake came out between FFVII OG and FFVII. And similarly to Fatal Calling, the ending cutscene of MFF x>! FFX !!Next thing you know, FFX-2 comes out and shows Tidus returning to Yuna and their core world in an optional cutscene.!< The MFF x>! FFX !! Tidus !Remake.
IV. b) ii. Post-OG Cloud’s Amnesia
If we consider that Remake Cloud is a time-travelling post-OG Cloud who’s returned to the start of the OG timeline, we encounter another logistical problem: why doesn’t Cloud remember everything or most things from the OG plot-line in Remake, like Sephiroth and Remake Aerith do? After all, aren’t the three of them in the same time-travelling boat? Why isn’t Cloud as lucid on the matter as the two others? Didn’t the post-OG Cloud in Fatal Calling face his past and origins? Shouldn’t that mean Cloud would remember all that stuff in Remake from the start?
In OG, the true Cloud’s memories are repressed by both his false persona and Jenova. The latter’s memetic abilities are able to block Cloud’s memories of the past from emerging and conflicting with his SOLDIER persona. For instance, in both OG and Remake, Cloud is unable to hear Aerith tell him Zack’s name in Evergreen Park: Jenova blocks it out. I think this is a similar situation: post-OG Cloud’s consciousness carries memories things that Jenova doesn’t want Cloud to know, so she pushes down on them. On top of that, after travelling through different worlds and back through the Lifestream for who knows how long, post-OG Cloud’s consciousness must be quite weak. We know how good Cloud is at repressing, so it makes total sense to me that post-OG Cloud’s consciousness would be trapped or suppressed somewhere deep in Remake Cloud’s subconsciousness. After all, it’s not like this whole time-travelling-consciousness thing is normal for a mind to experience. It’s no wonder Remake Cloud doesn’t consciously remember how things go in OG. However, post-OG Cloud’s love and grief for Aerith are so strong that memories related to her can occasionally pierce through to his Remake consciousness and Jenova’s barriers, resulting in his MOTFs. His pain and love for her are definitely permanent and strong enough:

“A young woman descended from the Ancients who will forever be engraved in [Cloud’s] heart” (Dirge of Cerberus, Japanese manual, Aerith’s character description).
“I believe for those who formerly traveled with her as comrades and for the viewers, each carries their own feelings and love for Aerith. In this story, Cloud also carries his own undying feelings for Aerith, even to this very day… Its relation with the church scene is… Yup. I’ll leave this part to your imagination. (laughs)” (Nomura interview on Advent Children “Designer’s Note” in *Famitsu PS2!*magazine, October 24th issue).

So you see, Remake Cloud’s mind is a little more complicated than OG Cloud’s mind. Everything is still the same in Remake as in OG, but with the added complication that his future self is hidden in his subconscious mind, probably trying to get out.
There is actually pretty good evidence of this. I’m sure you’re aware that whenever Jenova is trying to hide something from Cloud or altering his memory and/or perception, the screen glitches green with an audio cue (34:15-34:29, 1:15:30-1:15:41 and 1:17:14-1:17:29). Guess what? These Jenova audiovisual cues also occur during the MOTFs (ie: MOTF 3 2:58-3:07 and MOTF 4 0:29-0:42). Whenever post-OG Cloud’s consciousness encounters anything that reminds it of losing Aerith, the strength of its pain helps it push memories of Aerith to the surface so that RemakeCloud can consciously see them. Remake Cloud then experiences sensations and/or visions, all from his future self’s memories as they rise to the surface, propelled by grief. Jenova can’t allow Remake Cloud to fully recover his post-OG memory, so in order to shut down the process, its cells jump in to repress the MOTFs: this results in the classic Jenova audiovisual cues. The only time Jenova doesn’t bother to fight against a MOTF is the sixth, as it is quite weak: no visions occur, only a tight sensation in his chest.
IV. b) iii. Eclipse Contact and Cloud’s Memories of Reactor 1
There is one problem I have trouble decoding. In Eclipse Contact, Cloud tells Wol and Echo that the last thing he remembers is the run-up to his arrival at mako reactor 1 (FFVII OG, disk 1, chapter 1). Recall that usually, people summoned to Palamecia have no memories of their world of origin and lives before that point at all. So then why is it that upon being summoned to Palamecia, Cloud recalls the events that took place right before the start of the OG game? This strikes me as highly relevant since this is the exact point in time where post-OG Cloud’s consciousness needs to be transported to in order for Remake to begin, but I haven’t been able to figure out a solid hypothesis on what it could mean. My best guess is that this is the devs’ way of signalling to us that the events of the MFF x FFVII Remake collaboration occur before the very beginning of post-OG Cloud’s second try at the OG timeline (Remake).
Now that I’ve shown you how I’ve come to form my Mission Theory and we’ve done some pesky housekeeping, let’s connect some dots, shall we? It’s time to really get into it and see if any of my wild speculation tracks with content from the Remake trilogy so far.
V. Musical Evidence
What about the music of the game? Any hints there? Let’s try to see if we can find support for the Mission Theory in the music made for the Remake trilogy thus far!
As a preface to my musical evidence analysis, I want to insist on something: the story guys tell the soundtrack guys everything. In a high-quality production such as Remake, people who make music for audiovisual media are told everything in advance. They need to know the secrets of every little scene, because their job is to depict whatever is happening through music.
Therefore, if the Mission Theory is true, then there has to be musical evidence for it.
V. a) Preface: The Basics of the FFVII OST
There’s a lot of evidence in the music of the Remake trilogy that we have to address, but before we get into it, I do have to give you the basics of the FFVII soundscape! For the easiest experience, I suggest you keep a tab open for every link I provide for you until the music analysis is over, because we will be hopping from one musical theme to another and then back again.
V. a) i. The World Theme: Cloud’s Troubled Identity
The world theme of FFVII is a perfect example of how musicians working on an OST have to know the secrets of a story as they compose for it. On top of representing the FFVII world as a whole, it doubles as Cloud’s character theme… except that isn’t exactly right. You see, this piece does indeed contain Cloud’s true theme, but Sephiroth and Jenova’s musical motifs also contaminate it. This, of course, symbolizes how Cloud experiences identity sabotage because of these two antagonists. The result is that globally, the world theme does indeed represent Cloud’s character, but it isn’t exclusively Cloud’s in the same way that Cloud’s mind isn’t exclusively his. It’s brilliant storytelling through musical motifs, and evidently requires Uematsu to know in advance that Sephiroth manipulates Cloud’s identity in the story.
For future reference, let’s isolate Cloud’s true theme from Jenova and Sephiroth’s influence.
V. a) i. 1) Sephiroth: Dissonance and Semi-Tone Motif
I’m sure you know Sephiroth’s infamous theme: “One-Winged Angel”. The first motif we need to know is Sephiroth’s threatening, repetitive dissonance motif, which plays all throughout the piece (plays solo at 0:00 to 0:04). The second motif is what I call the semi-tone motif. “One-Winged Angel” has a ton of minor 2nd intervals, which is what we call the relationship between two notes that are only a semi-tone apart. You might recognize the minor 2nd interval in the foreboding Jaws theme. Just like in Jaws, the minor 2nd interval or semi-tone is commonly used to indicate an impending, life-threatening danger, a monster, predator, evil, or insanity; suits Sephiroth quite nicely!
V. a) i. 2) Jenova: Parasite Motif
The track “J-E-N-O-V-A” contains many competing melodies and has generated many variations of those melodies —almost like clones— that all represent aspects of the alien’s character. The main Jenova motif is simply a descending, two-octaves-long, arpeggiated mb6 chord (eight notes total). I’ve played it for you here. Sometimes, this motif is altered to form variations. For instance, in “Listen to the Cries of the Planet”, a variation of Jenova’s main motif is created by changing the order of the notes and reducing the number of notes to only six (0:00-0:03), however, it remains an arpeggiated mb6 chord. Regardless of the alteration, if you hear an arpeggiated mb6 chord, it means Jenova is creeping close by or that its influence is at work.
The variation of the mb6 arpeggiated chord that concerns us alters Jenova’s main theme so it ascends from the tonic to the b6 note and descends back to the tonic, then ending on the lower dominant for a total of eight notes. I’ve played it for you here. I call this variation the “parasite motif”, because it is often heard when Cloud is being controlled by Jenova. For instance, it plays when Cloud loses himself and becomes unusually violent in Rebirth’s chapter 13 (17:25-18:34), signalling to us that Jenova is in control. It is also the main motif of the track “Who… Am I?”, which evidently symbolizes Jenova’s fuelling of Cloud’s identity crisis— though here, the parasite motif is shortened to its six first notes.
V. a) i. 3) Cloud’s True Self
Now that we can recognize Sephiroth and Jenova’s motifs, let’s return to the world theme to isolate Cloud’s true self. Cloud’s true theme can be heard from 0:51 to 3:48. It consists of a section A (0:51-1:54), followed by a section B (1:54-2:41), and then returns to section A (2:41-3:48).
After Cloud’s true theme concludes however, it seems he experiences a psychic interference: doubt and confusion weave through the world theme (3:48-4:09), representing an instability in his identity. I call this interruption of Cloud’s true theme the “interference section”. It symbolizes a moment of psychic interference or weakness within Cloud that Sephiroth and Jenova take advantage of to take control of Cloud.
The end of the interference section introduces Jenova’s parasite motif. It slithers in (4:09), later joined by Sephiroth’s dissonance motif (4:16): Cloud’s mind and identity are being hijacked by the two antagonists in service of their evil plans.
They torment Cloud, dominating his mind until he manages to free himself: section A of Cloud’s true theme begins playing again (6:06), closing the loop of the theme.
Based on this musical storytelling, if you already knew the character motifs going into OG, you might’ve suspected something odd was going on with Cloud’s identity, and that Jenova and Sephiroth were involved. All this to say that whatever music is playing at any given time can give us hints as to what is going on. That’s the power and significance of a good soundtrack. Trust me when I say that with Uematsu and his team, we’re in excellent hands. And remember: the story guys tell the soundtrack guys everything.
V. a) ii. Aerith’s Theme
Another base we have to cover before checking out the Remake soundtrack is Aerith’s theme. I’m sure everyone here is familiar with it, but I insist that you refresh your memory. It consists of a section A (0:00-0:34), a section B (0:34-1:13) and a section C (1:13-2:00), concluding with a repeat of section A.
V. a) iii. Motifs and Timing in FFVII OSTs
I’m going to analyze pieces in great detail, which people who haven’t studied or paid attention to soundtracks may find strange. To prevent anyone from making the mistake of thinking that I’m reading too much into things, I want to emphasize that the music that plays during the Remaketrilogy’s cutscenes is carefully timed, composed and arranged to match the events in the cutscenes, as they are provided in advance to the musicians. Composers pay lots of attention to whatever is going on onscreen so they can include the corresponding musical motifs as accompaniment at the exact right moments, always striving to get the timing perfect. I’m not exaggerating the effort and minutia involved in soundtrack composition and arrangement. Here are just a few sound staff comments from the “Material 4: Soundtrack” section of the FFVII Remake Material Ultimania to prove it:

“[To] make sure players really feel the weight of the moment, we worked hard on getting the tempo and the entry timing of each instrument exactly right. In particular, that big ‘boom’ that sounds almost like a meteor crashing down was fine-tuned to match the timing of the logo's appearance. I remember this was a real sticking point for us, because if the boom's timing was even slightly off, the effect would be completely different. We […] had to sequence [each and every sound] to play at exactly the right moment” (Shotaro Shima on track “Midgar, City of Mako”, page 229).

&

“I was originally told to keep this piece to under two minutes, but it ended up being over six minutes long, in order to match the flow of the cutscene. I arranged the track while watching the latest CG visuals that had been rendered for the scene” (Naoyuki Honzawa on track “Smash ‘Em, Rip ‘Em”, page 309).

&

“This is the track that plays during the tour of Shinra’s different divisions. The movie shown in the Visual Entertainment Hall describes the history of the Ancients (0:25 onward in the soundtrack version), and I wanted to create a musical link to them as well, so I made use of the chord progression from ‘Aerith’s Theme’ [D(I)-Am(Vm)-D(I).] [This simple sequence of moving from major to minor and back again creates a really mysterious air. Then, during the section where the movie recounts the history of the construction of the Shinra Building (1:47 onward in the soundtrack version), I quoted a section of the Shinra theme” (Yasunori Nishiki on track “Stewards of the Planet”, page 313).

V. b) The Remake OST
Now that you’re ready, it’s time to verify the Mission Theory’s validity with Remake’s music.
V. b) i. MOTF 6 Music
We were able to explain Remake Cloud’s MOTFs with the Mission Theory, and it just so happens that the music that plays during the scene of MOTF 6 is unique to Remake. This gives us the perfect opportunity: we should analyze the piece that plays as it occurs to evaluate the legitimacy of our theory on the Remake trilogy, using all the motifs we uncovered in section “V. a)”.
First, a refresher on the scene and on our theory’s interpretation of it. The party is gathered in Aerith and Ifalna’s old room at Shinra HQ. Here is how the scene is described by the VA script notes:

“The Whispers once again close in [on Aerith], but Aerith refuses to stop speaking this time.
Aerith: Listen to me. […] Shinra isn’t the enemy. They were the ones who set things in motion, but our true foe is someone else.
At that moment, the spectacle of Meteor they saw in the Visual Entertainment Hall comes into Cloud and the others’ heads.
Aerith: Somehow, some way, I want to help— all of you… the planet…
For some reason, Cloud feels his chest constrict tightly” (FFVII Remake Material Ultimania Plus, VA script notes, “Aerith Speaks”).

Indeed, right after Aerith says she wants to help the planet any way she can, Cloud looks down at his chest with a frown and a quiet grunt (7:46-7:54). According to the Mission Theory, this tightness in Cloud’s chest can be explained as an emergence of post-OG Cloud’s grief, triggered by the slightest allusion to Aerith’s sacrifice.
The piece that plays during this scene is called “Aerith’s Theme - The Cetra”. It is one of many variations of Aerith’s iconic theme arranged for Remake. However, Cloud’s theme is just as prominent in the piece— if not, more.
V. b) i. 1) The Fate Motif
Before we interpret “Aerith’s Theme - The Cetra”, I need to introduce you to one more motif that crops up in the piece. There is a windy motif that appears (from 1:45 onwards) and it is unaccounted for, despite how it’s clearly meant to represent something. I’ve become certain that this wind noise symbolizes fate, and I’ll tell you why.
In the MOTF 6 scene, just after Nanaki explains how he gained knowledge of the Whispers via contact with Aerith (7:23), they emerge and begin swirling aggressively around Aerith (7:26). Her hair and dress blow and ripple in the resulting wind. From this very moment onward “Aerith’s Theme - The Cetra” (3:00), a string section (bowed instruments in the violin family) that deliberately emphasizes the airy sound of the bow crossing the strings enters, creating a windy effect that adds to the already present wind noise (that started at 1:45). As the Whispers progressively become even more aggressive onscreen, both the wind SFX of the cutscene and the wind noise in the piece get louder and louder. Because of the timing of its appearance and crescendo in the cutscene, I’m certain the wind noise is meant to represent the restrictive flow of fate; it only makes sense, given that destiny is a current —or a wind— that cannot be broken, and Aerith is like a helpless petal in fate’s carefully planned storm. Of course, it’s also quite significant that the Whispers make a windy noise as they fly. You can hear it every time they’re onscreen, like when they first appear to Cloud in chapter 2 of Remake (17:45-18:20), or when the White Whispers hold Cloud back from chasing after Aerith during Rebirth’s Sleeping Forest scene in chapter 14 (28:43-29:45). You can also hear the wind sounds in other Whisper-related tracks, such as “Whorl of Whispers” (clearly audible at 2:50-3:05), as well as “A Death Not Ordained by Fate” (clearly audible at 2:56-3:18). Therefore, I’ll call these wind noises the “fate motif”.
V. b) ii. 2) Interpreting “Aerith’s Theme - The Cetra”
In part 1 of “Aerith’s Theme - The Cetra” (0:00-1:45), Aerith’s theme and Cloud’s true theme play simultaneously, their respective phrases fitting perfectly together, interweaving peacefully and softly. It sounds like the two of them are chatting, dancing bashfully yet contently and in perfect sync, glad to be exactly where they’re meant to be as their themes sing together in harmony (soft piano). Part 1 of this piece is about Cloud and Aerith becoming important to one another as they discover their soulmate bond.
Unfortunately that contentment doesn’t last. In part 2 (1:45-3:00), Cloud experiences a moment of psychic vulnerability (world theme’s interference section). Fate lurks (fate motif enters quietly). His instability forces our couple’s sweet dance to a halt, and Aerith’s theme must retreat as Cloud’s confusion takes center stage. Sephiroth torments and taunts him (semi-tone played by strings, 2:03-2:10), taking advantage of Cloud’s psychic interference to plunge him into darkness (world theme’s interference section ends, low cello enters, 2:18): Cloud temporarily becomes a darker version of himself as evil corrupts him (piano plays section A phrases 1 and 2 of Cloud’s true theme in minor, 2:18-2:53). Jenova finally reveals itself and promptly exits, releasing Cloud’s mind from its grasp (seven first notes of parasite motif played twice on piano 2:53-3:00). Cloud is free, but the damage has been done: his dance with Aerith has long been interrupted, and she is gone. Part 2 of “Aerith’s Theme - The Cetra” is about Cloud being manipulated in service of Sephiroth and Jenova’s evil plan, interrupting his interaction with Aerith.
Part 3 (3:00-3:33) kicks off the mechanisms of a tragic fate (strings section joins fate motif, 3:00). Both anxious that she’s disappeared from his side and terrified of the darkness he just discovered inside him (in part 2), Cloud fearfully calls out for Aerith (phrase 1 of Cloud’s true theme’s section A, timid and hesitant piano, 3:04-3:15). Before his psychic interference began (start of part 2), Cloud’s voice was accompanied by Aerith’s as they grew closer and closer (their character themes mingling in part 1)… but now, Aerith isn’t answering his call, and he cannot find her (Aerith’s theme doesn’t to join Cloud’s anymore).
Anxious, Cloud tries calling out for Aerith a second time (section A phrase 2 of Cloud’s true theme’s, 3:19-3:31), searching for her in the hopes that they can continue their dance, but even now, Aerith does not respond. She’s gone (Aerith’s theme remains absent). Destiny keeps Aerith away from Cloud (fate motif gently crescendos). Part 3 of “Aerith’s Theme - The Cetra” is about Cloud’s separation from Aerith, his search for her, and the fear and anxiousness he feels when he realizes he cannot find her.
And then, part 4 begins with a sweet, gentle voice, calling out from the blackened horizon: it’s Aerith (section B phrase 1 of Aerith’s theme, soft piano, 3:33-3:45). Cloud finally hears her respond to his pleas: he’s found her. Fate begins howling in protest, doubling its efforts to keep Cloud and Aerith apart (fate motif crescendos noticeably in reaction to Aerith’s theme, 3:45). You can just picture Cloud running toward Aerith, struggling against the current of destiny to try and close the distance between them. Aerith tries calling out for Cloud a second time, (section B phrase 2 of Aerith’s theme, 3:40-3:43), but the Whispers only swirl around her more ferociously, taking her away in the uncompromising current of fate (fate motif continues to crescendo). Aerith tries again (section B phrase 1 of Aerith’s theme, 3:47-3:49). It sounds like she’s saying “Cloud, I’m over here, come find me!”
Fate doesn’t take too kindly to her defying it. Cloud and Aerith are not supposed to be together; it can’t be, it won’t. She’s destined to die to save the planet, and he’s destined to remain hollow forevermore. I can picture Cloud breaking into a sprint at the sound of her voice, running countercurrent to the flow of destiny— but the winds are so loud, fate’s demands are so strong, and the Whispers are shrieking in defense of destiny now. Aerith’s voice emerges for the fourth time (first three notes of section B phrase 3 of Aerith’s theme, 3:54 to 3:56). Fate screams louder, louder (steep crescendo of fate motif, 3:59-4:02). In a desperate hail Mary, Aerith shouts out one more time, as though throwing her hand out toward Cloud’s extended fingers (section C phrase 1 of Aerith’s theme, louder and more insistent, cutting through the fate motif as it crescendos sharply, 4:00-4:06). Part 4 of “Aerith’s Theme - The Cetra” is about Cloud and Aerith desperately trying to defy fate in order to be together. And then, it all stops: fate has seemingly quieted Aerith (4:04-4:08)…
Part 5 (4:08-4:27) begins with Cloud jumping, launching himself off the ground with all his strength (Cloud’s true theme section A phrase 2, first 5 notes, melody starting on the note E5 and ascending) as Aerith plummets toward the ground in a fatal fall (Aerith’s theme section C phrase 1, melody starting on the note E6 and descending, the last note altered)— he successfully catches her in mid-air (both Cloud’s ascending melody and Aerith’s descending melody meet in the middle of the octave, first uniting on B5, and then ending on A5). I’ve recreated the melodies for you here so you can hear this reunion more clearly. If you consider that the airy strings in this piece represent fate, which I do, the fact that they follow Cloud and Aerith’s themes in part 5 signifies that they are now in control of their own destinies, and successfully making it their fate to reunite.
To be completely frank, I did not realize until right now writing this that Cloud unites with Aerith in part 5, even though his theme is right there. I’m so excited to share this part with you.
We hear Aerith once more, her voice quietly trailing off into the silence (phrase 4 of section C of Aerith’s theme) with no conclusion (phrase 5 normally follows phrase 4 to conclude Aerith’s theme, but is absent here). Part 5 of “Aerith’s Theme - The Cetra” suggests that Cloud will save Aerith and that the couple will change their fate, but also conveys an uncertain and open-ended quality.
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Hi all
I’m tutoring a 5-year-old whose mum is English speaking and dad French speaking - living in the UK so the child is mainly speaking English. The main goal is to get his conversation skills up in French, but I’ve run out of ideas…
I’ve done all the basics (telling me about his day/weekend, describing a picture and I have to draw what he describes), anybody got any fun 1:1 ideas that don’t involve too much reading/writing?
TIA!